Coordinates	28°1′0″N153°24′0″N
name	The Times
type	Daily newspaper
format	Compact
price	UK£0.90 (Monday–Friday)£2 (Saturday) £1.30(Sat., Scotland)
foundation	1 January 1785
owners	News Corporation
sister newspapers	''The Sunday Times''
political	Moderate Conservative
headquarters	Wapping, London, UK
editor	James Harding
issn	0140-0460
website	www.thetimes.co.uk
circulation	502,436 March 2010 }}

''The Times'' is a British daily national newspaper published in London since 1785, when it was known as ''The Daily Universal Register''.

''The Times'' and its sister paper ''The Sunday Times'' are published by Times Newspapers Limited, since 1981 a subsidiary of News International. News International is entirely owned by the News Corporation group, headed by Rupert Murdoch. Though traditionally a moderately centre-right newspaper and a supporter of the Conservatives, it supported the Labour Party in the 2001 and 2005 general elections. In 2004, according to MORI, the voting intentions of its readership were 40% for the Conservative Party, 29% for the Liberal Democrats, 26% for Labour.

''The Times'' is the original "Times" newspaper, lending its name to many other papers around the world, such as ''The New York Times'', ''The Los Angeles Times'', ''The Seattle Times'', ''The Daily Times (Malawi)'', Jimma Times (Ethiopia), ''The Times of India'', ''The Straits Times'', ''Polska The Times'' ''The Times of Malta'' and ''The Irish Times''. For distinguishing purposes it is therefore sometimes referred to, particularly in North America, as the 'London Times' or 'The Times of London'. The paper is also the originator of the ubiquitous Times Roman typeface, originally developed by Stanley Morison of ''The Times'' in collaboration with the Monotype Corporation for its legibility in low-tech printing.

The Times was printed in broadsheet format for 219 years, but switched to compact size in 2004 partly in an attempt to appeal to younger readers and partly to appeal to commuters using public transport. An American edition has been published since 6 June 2006.

Today

The newspaper's cover price in the United Kingdom is £1 on weekdays (30p for students at some university campus shops) and £1.50 on Saturday. ''The Times's'' sister paper, ''The Sunday Times'', is a broadsheet and priced at £2.20. Although ''The Times'' and ''The Sunday Times'' are both owned by News International, a subsidiary of Rupert Murdoch's Newscorp, they do not share editorial staff, were founded independently and have shared the same owner only since 1967. In November 2006 ''The Times'' began printing headlines in its new font, Times Modern.

History

''The Times'' was founded by publisher John Walter on 1 January 1785 as ''The Daily Universal Register'', with Walter in the role of editor. Walter changed the title after 940 editions on 1 January 1788 to ''The Times''. In 1803, John Walter handed ownership and editorship to his son of the same name. John Walter Sr. had already spent sixteen months in Newgate prison for libel printed in ''The Times'', but his pioneering efforts to obtain Continental news, especially from France, helped build the paper's reputation among policy makers and financiers.

''The Times'' used contributions from significant figures in the fields of politics, science, literature, and the arts to build its reputation. For much of its early life, the profits of ''The Times'' were very large and the competition minimal, so it could pay far better than its rivals for information or writers.

In 1809, John Stoddart was appointed general editor, replaced in 1817 with Thomas Barnes. Under Barnes and his successor in 1841, John Thadeus Delane, the influence of ''The Times'' rose to great heights, especially in politics and amongst the City of London. Peter Fraser and Edward Sterling were two noted journalists, and gained for ''The Times'' the pompous/satirical nickname 'The Thunderer' (from "We thundered out the other day an article on social and political reform.").The increased circulation and influence of the paper was based in part to its early adoption of the steam driven rotary printing press. Distribution via steam trains to rapidly growing concentrations of urban populations helped ensure the profitability of the paper and its growing influence.

''The Times'' was the first newspaper to send war correspondents to cover particular conflicts. W. H. Russell, the paper's correspondent with the army in the Crimean War, was immensely influential with his dispatches back to England. In other events of the nineteenth century, ''The Times'' opposed the repeal of the Corn Laws until the number of demonstrations convinced the editorial board otherwise, and only reluctantly supported aid to victims of the Irish Potato Famine. It enthusiastically supported the Great Reform Bill of 1832 which reduced corruption and increased the electorate from 400 000 people to 800 000 people (still a small minority of the population). During the American Civil War, ''The Times'' represented the view of the wealthy classes, favouring the secessionists, but it was not a supporter of slavery.

The third John Walter (the founder's grandson) succeeded his father in 1847. The paper continued as more or less independent. From the 1850s, however, ''The Times'' was beginning to suffer from the rise in competition from the penny press, notably ''The Daily Telegraph'' and ''The Morning Post''.

During the 19th century, it was not infrequent for the Foreign Office to approach ''The Times'' and ask for continental intelligence, which was often superior to that conveyed by official sources.

''The Times'' faced financial extinction in 1890 under Arthur Fraser Walter, but it was rescued by an energetic editor, Charles Frederic Moberly Bell. During his tenure (1890–1911), ''The Times'' became associated with selling the ''Encyclopædia Britannica'' using aggressive American marketing methods introduced by Horace Everett Hooper and his advertising executive, Henry Haxton. However, due to legal fights between the ''Britannica's'' two owners, Hooper and Walter Montgomery Jackson, ''The Times'' severed its connection in 1908 and was bought by pioneering newspaper magnate, Alfred Harmsworth, later Lord Northcliffe.

In editorials published on 29 and 31 July 1914 Wickham Steed, the ''Times'''s Chief Editor argued that the British Empire should enter World War I. On 8 May 1920, under the editorship of Wickham Steed, the ''Times'' in an editorial endorsed the anti-Semitic forgery ''The Protocols of the Learned Elders of Zion'' as a genuine document, and called Jews the world's greatest danger. In the leader entitled "The Jewish Peril, a Disturbing Pamphlet: Call for Inquiry", Steed wrote about ''The Protocols of the Elders of Zion'':

What are these 'Protocols'? Are they authentic? If so, what malevolent assembly concocted these plans and gloated over their exposition? Are they forgery? If so, whence comes the uncanny note of prophecy, prophecy in part fulfilled, in part so far gone in the way of fulfillment?".

The following year, when Philip Graves, the Constantinople (modern Istanbul) correspondent of the ''Times'', exposed ''The Protocols'' as a forgery, the ''Times'' retracted the editorial of the previous year.

In 1922, John Jacob Astor, a son of the 1st Viscount Astor, bought ''The Times'' from the Northcliffe estate. The paper gained a measure of notoriety in the 1930s with its advocacy of German appeasement; then-editor Geoffrey Dawson was closely allied with those in the government who practised appeasement, most notably Neville Chamberlain.

Kim Philby, a Soviet double agent, served as a correspondent for the newspaper in Spain during the Spanish Civil War of the late 1930s. Philby was admired for his courage in obtaining high-quality reporting from the front lines of the bloody conflict. He later joined MI6 during World War II, was promoted into senior positions after the war ended, then eventually defected to the Soviet Union in 1963.

Between 1941 and 1946, the left-wing British historian E.H. Carr was Assistant Editor. Carr was well known for the strongly pro-Soviet tone of his editorials. In December 1944, when fighting broke out in Athens between the Greek Communist ELAS and the British Army, Carr in a ''Times'' editorial sided with the Communists, leading Winston Churchill to condemn him and that leader in a speech to the House of Commons. As a result of Carr's editorial, the ''Times'' became popularly known during World War II as the threepenny ''Daily Worker'' (the price of the ''Daily Worker'' was one penny)

In 1967, members of the Astor family sold the paper to Canadian publishing magnate Roy Thomson, and on 3 May 1966 it started printing news on the front page for the first time. (Previously, the paper's front page featured small advertisements, usually of interest to the moneyed classes in British society.) The Thomson Corporation merged it with ''The Sunday Times'' to form Times Newspapers Limited.

An industrial dispute prompted the management to shut the paper for nearly a year (1 December 1978 – 12 November 1979).

The Thomson Corporation management were struggling to run the business due to the 1979 Energy Crisis and union demands. Management were left with no choice but to save both titles by finding a buyer who was in a position to guarantee the survival of both titles, and also one who had the resources and was committed to funding the introduction of modern printing methods.

Several suitors appeared, including Robert Maxwell, Tiny Rowland and Lord Rothermere; however, only one buyer was in a position to meet the full Thomson remit. That buyer was the Australian media magnate Rupert Murdoch.

Rupert Murdoch

In 1981, ''The Times'' and ''The Sunday Times'' were bought from Thomson by Rupert Murdoch's News International. The acquisition followed three weeks of intensive bargaining with the unions by company negotiators, John Collier and Bill O'Neill.

Murdoch soon began making his mark on the paper, replacing its editor, William Rees-Mogg, with Harold Evans in 1981. One of his most important changes was the introduction of new technology and efficiency measures. In March–May 1982, following agreement with print unions, the hot-metal Linotype printing process used to print ''The Times'' since the 19th century was phased out and replaced by computer input and photo-composition. This allowed print room staff at ''The Times'' and ''The Sunday Times'' to be reduced by half. However, direct input of text by journalists ("single stroke" input) was still not achieved, and this was to remain an interim measure until the Wapping dispute of 1986, when ''The Times'' moved from New Printing House Square in Gray's Inn Road (near Fleet Street) to new offices in Wapping.

In June 1990, ''The Times'' ceased its policy of using courtesy titles ("Mr", "Mrs", or "Miss" prefixes for living persons) before full names on first reference, but it continues to use them before surnames on subsequent references. The more formal style is now confined to the "Court and Social" page, though "Ms" is now acceptable in that section, as well as before surnames in news sections.

In November 2003, News International began producing the newspaper in both broadsheet and tabloid sizes. On 13 September 2004, the weekday broadsheet was withdrawn from sale in Northern Ireland. Since 1 November 2004, the paper has been printed solely in tabloid format.

The Conservative Party announced plans to launch litigation against ''The Times'' over an incident in which the newspaper claimed that Conservative election strategist Lynton Crosby had admitted that his party would not win the 2005 General Election. ''The Times'' later published a clarification, and the litigation was dropped.

On 6 June 2005, ''The Times'' redesigned its Letters page, dropping the practice of printing correspondents' full postal addresses. Published letters were long regarded as one of the paper's key constituents. Author/solicitor David Green of Castle Morris Pembrokeshire has had more letters published on the main letters page than any known contributor – 158 by 31 January 2008. According to its leading article, "From Our Own Correspondents", removal of full postal addresses was in order to fit more letters onto the page.

In a 2007 meeting with the House of Lords Select Committee on Communications, which was investigating media ownership and the news, Murdoch stated that the law and the independent board prevented him from exercising editorial control.

In May 2008 printing of ''The Times'' switched from Wapping to new plants at Broxbourne on the outskirts of London, and Merseyside and Glasgow, enabling the paper to be produced with full colour on every page for the first time.

Controversy and image

Long considered the UK's newspaper of record, ''The Times'' is generally seen as a serious publication with high standards of journalism. It is not without trenchant critics: Robert Fisk, seven times British International Journalist of the Year, resigned as foreign correspondent in 1988 over what he saw as "political censorship" of his article on the shooting-down of Iran Air Flight 655 in July 1988. He wrote in detail about his reasons for resigning from the paper due to meddling with his stories, and the papers' pro-Israel stance.

Some allege that ''The Times''' partisan opinion pieces also damage its status as 'paper of record,' particularly when attacking interests that go against those of its parent company – News International. In 2010 it published an opinion piece attacking the BBC for being 'one of a group of' signatories to a letter criticising BSkyB share options in October 2010.

Readership profile and image

The British Business Survey 2005 named ''The Times'' as the UK's leading daily newspaper for business people. This independent survey was sponsored by ''The Financial Times'', ''The Guardian'', ''The Daily Telegraph'', ''The Economist'', and ''The Times''.

The latest figures from the national readership survey show ''The Times'' to have the highest number of ABC1 25–44 readers and the largest numbers of readers in London of any of the "quality" papers. The certified average circulation figures for November 2005 show that The Times sold 692,581 copies per day. This was the highest achieved under the last editor, Robert Thomson, and ensured that the newspaper remained ahead of ''The Daily Telegraph'' in terms of full-rate sales, although the ''Telegraph'' remains the market leader for broadsheets, with a circulation of 905,955 copies. Tabloid newspapers, such as ''The Sun'' and middle-market newspapers such as the ''Daily Mail'', at present outsell both papers with a circulation of around 3,005,308 and 2,082,352 respectively. By March 2010 the paper's circulation had fallen to 502,436 copies daily and the ''Telegraph's'' to 686,679, according to ABC figures.

Format and supplements

''The Times'' features news for the first half of the paper with the leading articles on the second page, the Opinion/Comment section begins after the first news section, the world news normally follows this. The business pages begin on the centre spread, and are followed by The Register, containing obituaries, Court & Social section, and related material. The sport section is at the end of the main paper.

''Literary Supplement''

''The Times Literary Supplement'' (TLS) is a separately-paid-for weekly literature and society magazine.

''Science Reviews''

Between 1951 and 1966 ''The Times'' published a separately-paid-for quarterly science review, ''The Times Science Review''. Remarkably, in 1953 both the newspaper and its science supplement failed to report on the discovery of the structure of DNA in Cambridge, which was reported on by both the ''News Chronicle'' and ''The New York Times''.

''The Times'' started another new (but free) monthly science magazine, ''Eureka'', in October 2009.

''Times2''

''The Times'''s main supplement was the ''times2'', featuring various lifestyle columns. It was discontinued on 1 March 2010, most of its regular features being absorbed into the main paper, the puzzles into a new supplement called ''Mind Games''. Its previous incarnation began on 5 September 2005, before which it was called ''T2'' and previously ''Times 2''. Regular features included columns by a different columnist each weekday. There was a column by Marcus du Sautoy each Wednesday, for example. The back pages were devoted to puzzles and contain sudoku, "Killer Sudoku", "KenKen", word polygon puzzles, and a crossword simpler and more concise than the main "Times Crossword". The penultimate page was "Young Times", with puzzles and news for children. All these features are now found in ''Mind Games''.

The supplement also contained arts and lifestyle features, TV and radio listings and reviews which have now become their own weekly supplements.

''The Game''

''The Game'' is included in the newspaper on a Monday, and details all the weekend's football activity (Premier League and Football League Championship, League One and League Two.) The Scottish edition of ''The Game'' also includes results and analysis from Scottish Premier League games.

Saturday supplements

The Saturday edition of ''The Times'' contains a variety of supplements. These supplements were relaunched in January 2009 as: ''Sport'', ''Weekend'' (including travel and lifestyle features), ''Saturday Review'' (arts, books, and ideas), ''The Times Magazine'' (columns on various topics), and ''Playlist'' (an entertainment listings guide).

''Saturday Review'' is the first regular supplement published in broadsheet format again since the paper switched to a compact size in 2004.

At the beginning of Summer 2011 ''Saturday Review'' switched to the tabloid format

''The Times Magazine'' features columns touching on various subjects such as celebrities, fashion and beauty, food and drink, homes and gardens or simply writers' anecdotes. Notable contributors include Giles Coren, Food And Drink Writer of the Year in 2005.

Online presence

The ''Times'' and ''Sunday Times'' have had an online presence since March 1999, originally at ''the-times.co.uk'' and ''sunday-times.co.uk'', and later at ''timesonline.co.uk''. In April 2009, the ''timesonline'' site had a readership of 750,000 readers per day.

Paywall

Rupert Murdoch argued that readers should pay for online content, and since July 2010, News International requires readers that do not already subscribe to the print edition to pay £1 per day or £2 per week to access ''Times'' and ''Sunday Times'' content.

There are now two websites, instead of one: ''thetimes.co.uk'' is aimed at daily readers, and the ''thesundaytimes.co.uk'' site at providing weekly magazine-like content.

According to figures released in November 2010 by ''The Times'', 100,000 people had paid to use the service in its first four months of operation, and another 100,000 received free access because they subscribe to the printed paper. Visits to the websites have decreased by 87% since the paywall was introduced, from 21 million unique users per month to 2.7 million.

Typeface

''The Times'' commissioned the serif typeface ''Times New Roman'', created by Victor Lardent at the English branch of Monotype, in 1931. It was commissioned after Stanley Morison had written an article criticizing ''The Times'' for being badly printed and typographically antiquated. The font was supervised by Morison and drawn by Victor Lardent, an artist from the advertising department of ''The Times''. Morison used an older font named Plantin as the basis for his design, but made revisions for legibility and economy of space. ''Times New Roman'' made its debut in the 3 October 1932 issue of ''The Times'' newspaper. After one year, the design was released for commercial sale. ''The Times'' stayed with ''Times New Roman'' for 40 years, but new production techniques and the format change from broadsheet to tabloid in 2004 have caused the newspaper to switch font five times since 1972. However, all the new fonts have been variants of the original New Roman font:

''Times Europa'' was designed by Walter Tracy in 1972 for The Times, as a sturdier alternative to the Times font family, designed for the demands of faster printing presses and cheaper paper. The typeface features more open counter spaces.

''Times Roman'' replaced Times Europa on 30 August 1982. ''Times Millennium'' was made in 1991, drawn by Gunnlaugur Briem on the instructions of Aurobind Patel, composing manager of News International. ''Times Classic'' first appeared in 2001. Designed as an economical face by the British type team of Dave Farey and Richard Dawson, it took advantage of the new PC-based publishing system at the newspaper, while obviating the production shortcomings of its predecessor Times Millennium. The new typeface included 120 letters per font. Initially the family comprised ten fonts, but a condensed version was added in 2004. ''Times Modern'' was unveiled on 20 November 2006, as the successor of ''Times Classic''. Designed for improving legibility in smaller font sizes, it uses 45-degree angled bracket serifs. The font was published by Elsner + Flake as ''EF Times Modern''; it was designed by Research Studios, led by Ben Preston (deputy editor of The Times) and designer Neville Brody.

Sponsored events

''The Times'', along with the British Film Institute, sponsors the London Film Festival (or more specifically, The Times ''bfi'' London Film Festival). As of 2005, it is Europe's largest public event for motion pictures.

''The Times'' also sponsors the Cheltenham Literature Festival and the Asia House Festival of Asian Literature at Asia House, London.

Political allegiance

''The Times'' was a traditional Conservative Party supporter, even after its 18-year rule in government was ended by the Labour landslide of 1997, but for the 2001 general election the paper declared its support for Tony Blair's Labour government, which was re-elected by a landslide. It supported Labour again in 2005, when it achieved a third successive election win, though with a reduced majority. For the 2010 general election, however, the newspaper declared its support for the Tories once again; the election ended in the Tories taking the most votes and seats but having to form a coalition with the Liberal Democrats in order to form a government as they had failed to gain an overall majority.

The Times had declared its support for Clement Attlee's Labour at the 1945 general election; the party went on to win the election by a landslide over Winston Churchill's Conservative government. However, the newspaper reverted to the Tories for the next election five years later. It would not switch sides again for more than 50 years.

Ownership

John Walter (1785–1803)

John Walter, 2nd (1803–1847)

John Walter, 3rd (1847–1894)

Arthur Fraser Walter (1894–1908)

Lord Northcliffe (1908–1922)

Astor family (1922–1966)

Roy Thomson (1966–1981)

News International (subsidiary of News Corporation), run by Rupert Murdoch (1981– )

Editorship

!Editor's name	!Years
	1785–1803
	1803–1812
John Stoddart	1812–1816
	1817–1841
John Delane	1841–1877
Thomas Chenery	1877–1884
George Earle Buckle	1884–1912
George Geoffrey Dawson	1912–1919
	1919–1922
George Geoffrey Dawson	1923–1941
Robert McGowan Barrington-Ward	1941–1948
William Francis Casey	1948–1952
William Haley	1952–1966
William Rees-Mogg	1967–1981
Harold Evans	1981–1982
	1982–1985
	1985–1990
Simon Jenkins	1990–1992
Peter Stothard	1992–2002
	2002–2007
	2007–

Columnists and journalists

Murad Ahmed

Michael Atherton

Guillem Balague

Simon Barnes

Alice Bowe

Peter Brookes, leader-page cartoonist

David Brown

Kaya Burgess

Rachel Campbell-Johnston

Sam Coates

Giles Coren

Robert Crampton

Ginny Dougary

Stephen Farrell

Daniel Finkelstein

Richard Ford

Adam Fresco

Joanna Geary

Frances Gibb

Brian Glanville

Ruth Gledhill

Michael Gove

Nico Hines

Anthony Howard

Philip Howard

Ben Hoyle

Mick Hume

Anatole Kaletsky

Patrick Kidd

Magnus Linklater

Richard Lloyd Parry

Anthony Loyd, war correspondent on retainer

Ben Macintyre

Sam Marlowe, theatre reviewer

Stefanie Marsh

Hugh McIlvanney

Alice Miles

Caitlin Moran

Michael Moran

Morten Morland, political cartoonist

Richard Morrison

Kate Muir

Matthew Parris

Grayson Perry

Catherine Philp

Libby Purves

Lord Rees-Mogg

Peter Riddell

Hugo Rifkind

Aki Riihilahti

Nick Robinson

Alyson Rudd

Dan Sabbagh

Sathnam Sanghera

Marcus du Sautoy

David Sinclair

Graham Stewart

Andrew Sullivan

Richard Susskind

Ann Treneman

Janice Turner

Philip Webster

Tom Whipple

Tom Whitwell

Tony Halpin

Alexander Williams, cartoonist

Jeremy Clarkson

Other publications

(Times Books Group Ltd)

The Times Comprehensive Atlas of the World, 2007 ISBN 978-0-00-780150-3

Biography

Harold Evans, ''Good Times, Bad Times''. Includes sections of black-and-white photographic plates, plus a few charts and diagrams in text pages.

In fiction

In the dystopian future world of George Orwell's ''Nineteen Eighty-Four'', ''The Times'' has been transformed into the organ of the totalitarian ruling party, its editorials—of which several are quoted in the book—reflecting Big Brother's pronouncements.

Rex Stout's fictional detective Nero Wolfe is described as fond of solving the London ''Times'' crossword puzzle at his New York home, in preference to those of American papers.

In the James Bond series, written by Ian Fleming, the title character, James Bond, reads ''The Times''. As described by Fleming in ''From Russia, with Love'': "The Times was the only paper that Bond ever read."

See also

List of newspapers by date

References

External links

The Sunday Times site

Times World Atlases official website including a History and Heritage section detailing landmark Times atlases

Archive from 1785 to 1985 – full text and original layout, searchable (not free of charge, registration required)

The Times editor Robert Thomson lecture online: From the editorial desk of ''The Times'', RMIT School of Applied Communication Public Lecture series

Anthony Trollope's satire on the mid-nineteenth century Times

Journalism Now: The Times Winchester University Journalism History project on the Times in the nineteenth century

Category:Newspapers published in the United Kingdom Category:News Corporation subsidiaries * Category:Publications established in 1785 Category:1785 establishments in Great Britain

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Coordinates	28°1′0″N153°24′0″N
alt	A mid-twenties African American man wearing a sequined military jacket and dark sunglasses. He is walking while waving his right hand, which is adorned with a white glove. His left hand is bare.
background	solo_singer
birth name	Michael Joseph Jackson
alias	Michael Joe Jackson, MJ, King of Pop
birth date	August 29, 1958
birth place	Gary, Indiana, U.S.
death date	June 25, 2009
death place	Los Angeles, California, U.S.
instrument	vocals, guitar, drums, percussion, keyboards
genre	R&B, pop, rock, soul, dance, funk, disco, new jack swing
occupation	Singer-songwriter, musician, composer, dancer, choreographer, record producer, actor, businessman, philanthropist
years active	1964–2009
label	Motown, Epic, Legacy
associated acts	The Jackson 5
relatives	Janet Jackson (sister)
website	130pxMichael Jackson's signature }}

Michael Joseph Jackson (August 29, 1958 – June 25, 2009) was an American recording artist, entertainer, and businessman. Often referred to as the King of Pop, or by his initials MJ, Jackson is recognized as the most successful entertainer of all time by Guinness World Records. His contribution to music, dance, and fashion, along with a much-publicized personal life, made him a global figure in popular culture for over four decades. The seventh child of the Jackson family, he debuted on the professional music scene along with his brothers as a member of The Jackson 5, then the Jacksons in 1964, and began his solo career in 1971.

In the early 1980s, Jackson became a dominant figure in popular music. The music videos for his songs, including those of "Beat It", "Billie Jean", and "Thriller", were credited with transforming the medium into an art form and a promotional tool, and the popularity of these videos helped to bring the relatively new television channel MTV to fame. Videos such as "Black or White" and "Scream" made him a staple on MTV in the 1990s. Through stage performances and music videos, Jackson popularized a number of complicated dance techniques, such as the robot and the moonwalk, to which he gave the name. His distinctive musical sound and vocal style have influenced numerous hip hop, post-disco, contemporary R&B, pop and rock artists.

Jackson's 1982 album ''Thriller'' is the best-selling album of all time. His other records, including ''Off the Wall'' (1979), ''Bad'' (1987), ''Dangerous'' (1991), and ''HIStory'' (1995), also rank among the world's best-selling. Jackson is one of the few artists to have been inducted into the Rock and Roll Hall of Fame twice. He was also inducted into the Dance Hall of Fame as the first (and currently only) dancer from the world of pop and rock 'n' roll. Some of his other achievements include multiple Guinness World Records; 13 Grammy Awards (as well as the Grammy Legend Award and the Grammy Lifetime Achievement Award); 26 American Music Awards (more than any other artist, including the "Artist of the Century"); 13 number-one singles in the United States in his solo career (more than any other male artist in the Hot 100 era); and the estimated sale of over 750 million records worldwide. Jackson won hundreds of awards, which have made him the most-awarded recording artist in the history of popular music.

Life and career

Early life and The Jackson 5 (1958–1975)

Michael Jackson was born on August 29, 1958, the eighth of ten children in an African American working-class family who lived in a small 3-room house in Gary, Indiana, an industrial city near Chicago. His mother, Katherine Esther Scruse, was a devout Jehovah's Witness, and his father, Joseph Walter "Joe" Jackson, was a steel mill worker who performed with an R&B band called The Falcons. Jackson had three sisters: Rebbie, La Toya, and Janet, and five brothers: Jackie, Tito, Jermaine, Marlon, and Randy. A sixth brother, Brandon, died shortly after birth.

Jackson had a troubled relationship with his father, Joe. In 1980, Jackson won three awards at the American Music Awards for his solo efforts: Favorite Soul/R&B Album, Favorite Soul/R&B Male Artist, and Favorite Soul/R&B Single for "Don't Stop 'Til You Get Enough". That year, he also won Billboard Year-End for Top Black Artist and Top Black Album and a Grammy Award for Best Male R&B Vocal Performance, also for "Don't Stop 'Til You Get Enough". Jackson again won at the American Music Awards in 1981 for Favorite Soul/R&B Album and Favorite Soul/R&B Male Artist. Despite its commercial success, Jackson felt ''Off the Wall'' should have made a much bigger impact, and was determined to exceed expectations with his next release. In 1980, he secured the highest royalty rate in the music industry: 37 percent of wholesale album profit.

''Thriller'' and ''Motown 25'' (1982–83)

In 1982, Jackson contributed the song "Someone In the Dark" to the storybook for the film ''E.T. the Extra-Terrestrial''; the record won a Grammy for Best Recording for Children in 1984. In the same year he won another seven Grammys and eight American Music Awards (including the Award of Merit, the youngest artist to win it), making him the most awarded in one night for both award shows. The album topped the ''Billboard'' 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to have seven ''Billboard'' Hot 100 top 10 singles, including "Billie Jean", "Beat It," and "Wanna Be Startin' Somethin'." ''Thriller'' was certified for 29 million shipments by the RIAA, giving it Double Diamond status in the United States. The album won also another Grammy for Best Engineered Recording – Non Classical in 1984, awarding Bruce Swedien for his work. Thanks to the ''Bad'' album, Bruce Swedien and Humberto Gatica won one Grammy in 1988 for Best Engineered Recording – Non Classical and Michael Jackson won one Grammy for Best Music Video, Short Form for "Leave Me Alone" in 1989. ''HIStory'' received a Grammy nomination for Album of the Year. However, the sales for ''Invincible'' were lower than those of his previous releases, due in part to a lack of promotion, no supporting world tour and the label dispute. The album also came out at a bad time for the music industry in general. Jackson rehearsed in Los Angeles in the weeks leading up to the tour under the direction of choreographer Kenny Ortega. Most of these rehearsals took place at the Staples Center, which was owned by AEG. With ''Thriller'', Christopher Connelly of ''Rolling Stone'' commented that Jackson developed his long association with the subliminal theme of paranoia and darker imagery. Allmusic's Stephen Thomas Erlewine noted this is evident on the songs "Billie Jean" and "Wanna Be Startin' Somethin'". In "Billie Jean", Jackson sings about an obsessive fan who alleges he has fathered a child of hers. In "Wanna Be Startin' Somethin'" he argues against gossip and the media. "Beat It" decried gang violence in an homage to ''West Side Story'', and was Jackson's first successful rock cross-over piece, according to Huey. He also observed that the title track "Thriller" began Jackson's interest with the theme of the supernatural, a topic he revisited in subsequent years. In 1985, Jackson co-wrote the charity anthem "We Are the World"; humanitarian themes later became a recurring theme in his lyrics and public persona.

In ''Bad'', Jackson's concept of the predatory lover can be seen on the rock song "Dirty Diana". The lead single "I Just Can't Stop Loving You" is a traditional love ballad, while "Man in the Mirror" is an anthemic ballad of confession and resolution. "Smooth Criminal" was an evocation of bloody assault, rape and likely murder. Allmusic's Stephen Thomas Erlewine states that ''Dangerous'' presents Jackson as a very paradoxical individual. He comments the album is more diverse than his previous ''Bad'', as it appeals to an urban audience while also attracting the middle class with anthems like "Heal the World". The first half of the record is dedicated to new jack swing, including songs like "Jam" and "Remember the Time". The album is Jackson's first where social ills become a primary theme; "Why You Wanna Trip on Me", for example, protests against world hunger, AIDS, homelessness and drugs. ''Dangerous'' contains sexually charged efforts such as the multifaceted love song, "In the Closet". The title track continues the theme of the predatory lover and compulsive desire. The second half includes introspective, pop-gospel anthems such as "Will You Be There", "Heal the World" and "Keep the Faith"; these songs show Jackson opening up about various personal struggles and worries. In the ballad "Gone Too Soon", Jackson gives tribute to his friend Ryan White and the plight of those with AIDS.

''HIStory'' creates an atmosphere of paranoia. Its content focuses on the hardships and public struggles Jackson went through just prior to its production. In the new jack swing-funk-rock efforts "Scream" and "Tabloid Junkie", along with the R&B ballad "You Are Not Alone", Jackson retaliates against the injustice and isolation he feels, and directs much of his anger at the media. In the introspective ballad "Stranger in Moscow", Jackson laments over his "fall from grace", while songs like "Earth Song", "Childhood", "Little Susie" and "Smile" are all operatic pop pieces. In the track "D.S.", Jackson launched a verbal attack against Tom Sneddon. He describes Sneddon as an antisocial, white supremacist who wanted to "get my ass, dead or alive". Of the song, Sneddon said, "I have not—shall we say—done him the honor of listening to it, but I've been told that it ends with the sound of a gunshot". ''Invincible'' found Jackson working heavily with producer Rodney Jerkins. It is a record made up of urban soul like "Cry" and "The Lost Children", ballads such as "Speechless", "Break of Dawn" and "Butterflies" and mixes hip-hop, pop and R&B in "2000 Watts", "Heartbreaker" and "Invincible".

Vocal style

Jackson sang from childhood, and over time his voice and vocal style changed noticeably. Between 1971 and 1975, Jackson's voice descended from boy soprano to high tenor. Jackson first used a technique called the "vocal hiccup" in 1973, starting with the song "It's Too Late to Change the Time" from The Jackson 5's ''G.I.T.: Get It Together'' album. Jackson did not use the hiccup technique— somewhat like a gulping for air or gasping— fully until the recording of ''Off the Wall'': it can be seen in full force in the "Shake Your Body (Down to the Ground)" promotional video. With the arrival of ''Off the Wall'' in the late 1970s, Jackson's abilities as a vocalist were well regarded. At the time, ''Rolling Stone'' compared his vocals to the "breathless, dreamy stutter" of Stevie Wonder. Their analysis was also that "Jackson's feathery-timbred tenor is extraordinarily beautiful. It slides smoothly into a startling falsetto that's used very daringly". 1982 saw the release of ''Thriller'', and ''Rolling Stone'' was of the opinion that Jackson was then singing in a "fully adult voice" that was "tinged by sadness".

A distinctive deliberate mispronunciation of "come on", used frequently by Jackson, occasionally spelled "cha'mone" or "shamone", is also a staple in impressions and caricatures of him. The turn of the 1990s saw the release of the introspective album ''Dangerous''. ''The New York Times'' noted that on some tracks, "he gulps for breath, his voice quivers with anxiety or drops to a desperate whisper, hissing through clenched teeth" and he had a "wretched tone". When singing of brotherhood or self-esteem the musician would return to "smooth" vocals. When commenting on ''Invincible'', ''Rolling Stone'' were of the opinion that—at the age of 43—Jackson still performed "exquisitely voiced rhythm tracks and vibrating vocal harmonies". Nelson George summed up Jackson's vocals by stating "The grace, the aggression, the growling, the natural boyishness, the falsetto, the smoothness—that combination of elements mark him as a major vocalist".

Music videos and choreography

Referred to as the King of Music Videos, Steve Huey of Allmusic observed how Jackson transformed the music video into an art form and a promotional tool through complex story lines, dance routines, special effects and famous cameo appearances; simultaneously breaking down racial barriers. Before ''Thriller'', Jackson struggled to receive coverage on MTV, allegedly because he was African American. Pressure from CBS Records persuaded MTV to start showing "Billie Jean" and later "Beat It", leading to a lengthy partnership with Jackson, also helping other black music artists gain recognition. MTV employees deny any racism in their coverage, or pressure to change their stance. MTV maintains that they played rock music, regardless of race. The popularity of his videos on MTV helped to put the relatively young channel "on the map"; MTV's focus shifted in favor of pop and R&B. His performance on ''Motown 25: Yesterday, Today, Forever'' changed the scope of live stage show; "That Jackson lip-synced 'Billie Jean' is, in itself, not extraordinary, but the fact that it did not change the impact of the performance is extraordinary; whether the performance was live or lip-synced made no difference to the audience" thus creating an era in which artists re-create the spectacle of music video imagery on stage. Short films like ''Thriller'' largely remained unique to Jackson, while the group dance sequence in "Beat It" has frequently been imitated. The choreography in ''Thriller'' has become a part of global pop culture, replicated everywhere from Indian films to prisons in the Philippines. The ''Thriller'' short film marked an increase in scale for music videos, and has been named the most successful music video ever by the ''Guinness World Records''.

In the 19-minute music video for "Bad"—directed by Martin Scorsese—Jackson began using sexual imagery and choreography not previously seen in his work. He occasionally grabbed or touched his chest, torso and crotch. When asked by Oprah in the 1993 interview about why he grabbed his crotch, he replied, "I think it happens subliminally" and he described it as something that was not planned, but rather, as something that was compelled by the music. "Bad" garnered a mixed reception from both fans and critics; ''Time'' magazine described it as "infamous". The video also featured Wesley Snipes; in the future Jackson's videos would often feature famous cameo roles.

}} ;Bibliography

George, Nelson (2004). ''Michael Jackson: The Ultimate Collection'' booklet. Sony BMG.

Further reading

External links

Michael Jackson Live: Best Pics – slideshow by ''Life magazine''

Michael Jackson at MTV

FBI file on Michael Jackson

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Coordinates	28°1′0″N153°24′0″N
Name	Cyndi Lauper
Background	solo_singer
Birth name	Cynthia Ann Stephanie Lauper
Birth date	June 22, 1953
Spouse	David Thornton
Origin	New York City, New York, U.S.
Instrument	Vocals, Appalachian dulcimer, zither, guitar, recorder, omnichord, trombone, percussion, electric bass, piano, banjo, ukulele
Associated acts	Blue Angel
Genre	Pop rockDance-rockNew WaveBlues
Occupation	Singer, songwriter, producer, actress (film & stage)
Years active	1977–present
Label	Portrait, Epic, Downtown
Associated acts	Blue Angel
Website	www.cyndilauper.com }}

Cynthia Ann Stephanie "Cyndi" Lauper (born June 22, 1953) is an American singer, songwriter, actress and LGBT rights activist. She achieved success in the mid-1980s with the release of the album ''She's So Unusual'' and became the first female singer to have four top-five singles released from one album. Lauper has released 11 albums and over 40 singles, and as of 2008 had sold more than 30 million records worldwide.

Life and career

1953–1979: Early life

The daughter of Fred and Catrine Lauper, Cyndi Lauper was born and raised in Ozone Park in a Catholic family, in the borough of Queens in New York City. Her mother uses the stage name "Catrine Dominique" for the music videos in which she has appeared. Her father was of German and Swiss descent and her mother is Italian American (from Sicily). She has an older sister, Ellen, and a younger brother, Fred (nicknamed Butch).

After Lauper's parents divorced, her mother remarried, divorced again, and went to work as a waitress. It was during this time that Lauper began listening to artists like Judy Garland, Billie Holiday, Ella Fitzgerald, and the Beatles. Her mother encouraged her independence and creativity. At the age of twelve, Lauper learned how to play an acoustic guitar, which her sister had given to her, and she started to write her own lyrics. She had a great love of art and music and tried to find ways to express herself. Even at this early age, Lauper started dyeing her hair different colors and wearing radical fashions. Lauper was accepted in a special public high school for students with talent in the visual arts, but she was held back and eventually dropped out, earning her GED sometime later. At the age of seventeen, she left home, planning to study art. Her journey would take her to Canada, where she spent two weeks in the woods with her dog, Sparkle, trying to find herself. She eventually wound up in Vermont, where she took art classes at Johnson State College. She supported herself by working at various odd jobs.

In the mid 1970s, Lauper performed as a vocalist with various cover bands (such as Doc West and Flyer, who still perform under the names Gap Wilson Band and Red, White and Blues Band), in the New York metropolitan area, singing hits by bands such as Jefferson Airplane, Led Zeppelin, and Bad Company. Even though Lauper was now performing on stage, she was not happy singing cover songs. In 1977, Lauper damaged her vocal cords and took a year off. She was told by three doctors that she would never sing again. Vocal coach Katie Agresta helped Lauper regain her voice by teaching her proper vocal exercises.

1980–1981: Blue Angel

In 1978, after Lauper regained her voice, she met saxophone player John Turi through her manager Ted Rosenblatt. Turi and Lauper became writing partners and formed a band called Blue Angel. They decided to put everything they had into making an album of original material. A few demos were recorded and the tape found its way over to Steve Massarsky, who was managing The Allman Brothers Band. Massarsky said the tape was horrible, but he was attracted to Lauper's voice. He saw them play live and eventually started managing the band after buying their contract out for $5,000. Many people wanted to sign Lauper only if she would sign on as a solo artist. Lauper held out, wanting the band to be included in any deal she made. Polydor Records eventually signed them as a band. In 1980, they released a self-titled album on Polydor Records. ''Rolling Stone'' magazine later included it as one of the 100 best new wave album covers (2003). Lauper hated the cover, often saying they made her look like Big Bird. Despite critical acclaim, the album sold poorly (or "went lead", as Lauper says) and the band broke up. Polydor Records had a regime change, and the label would not let the band back into the studio unless they had a hit. The members of Blue Angel had a falling out with Massarsky and fired him as their manager. He later filed an $80,000 suit against them. This suit forced Lauper into bankruptcy.

Lauper started working in retail stores such as the New York high-end thrift store Screaming Mimi's to make ends meet, and she still sang in local clubs. Her most frequent gigs were at El Sombrero. Music critics that saw Lauper perform with Blue Angel thought that she had star potential since she had a wide singing range (four octaves), perfect pitch, and a vocal style all her own. In 1981, while singing in a local New York bar, Lauper met David Wolff, who took over as her manager (and at some point became romantically involved with her) and got her signed with Portrait Records, a subsidiary of Epic Records. Wolff had been working with a band called Arc Angel.

1983–1985: ''She's So Unusual''

On October 14, 1983, ''She's So Unusual'' was released and peaked at #4 in the US becoming a worldwide hit. With help from Rick Chertoff, Eric Bazilian and Rob Hyman (of The Hooters) as her primary studio musicians, ''She's So Unusual'''s popularity spread like wildfire. At the time, Lauper became popular with teenagers and critics, in part due to her hybrid punk image, crafted by stylist Patrick Lucas.

Lauper knew she could write songs, but the record company had a lot of material they wanted her to record. She altered a lot of the songs that were thrown her way, often changing the lyrics to suit her. An example is her Platinum-certified "Girls Just Want to Have Fun"; Lauper says the original lyrics of the song dealt more with a girl pleasing a man, and therefore she changed the lyrics, wanting the song to be more of an anthem as she felt the original song seemed misogynistic. The album's second single was the ballad "Time After Time". Lauper co-wrote "Time After Time" with Rob Hyman when her producer, Rick Chertoff, suggested to the band that the album could use one more song. The record label did not have much faith in Lauper as a songwriter, but they gave her the chance to prove herself. "Time After Time" hit #1 on both Billboard's Hot 100 and Adult Contemporary charts. It earned Lauper Gold certification with sales of 500,000 from the RIAA and was one of the biggest hits of 1984. It has been covered by more than 100 artists. Lauper came up with the title for "Time After Time" while reading ''TV Guide''—''Time After Time'' was a 1979 science fiction movie starring Malcolm McDowell as H. G. Wells, portraying him inventing and then traveling in a time machine. "She Bop" was the album's third single release. It reached #3 on the Hot 100 and earned Cyndi another Gold certification of 500,000 from the RIAA. This was followed by "All Through the Night" which was written by Jules Shear and reached #5 on the Billboard Hot 100 charts. . Jules Shear and Cyndi Lauper went on to co-write the song "Steady." The song reached #57 on the Billboard Hot 100 in 1985.

The album also includes a cover of The Brains' New Wave track "Money Changes Everything" which reached number 27 on the Billboard Hot 100 charts. In some countries, "When You Were Mine", a cover of a Prince song found on his 1980 album "Dirty Mind", was released as a promotional single in 1985. Lauper spent 1984 touring and promoting ''She's So Unusual''. By the end of the year, she was the first female to have four consecutive Billboard Hot 100 Top Five hits from one album. The LP itself stayed in the Top 200 charts for more than 65 weeks and has since sold 16 million copies worldwide. In 1985, The Women in Crystal Film Awards awarded her with the New Directions Award, given to those who are known for their creativity and originality.

The video for "Girls Just Want to Have Fun" made Lauper an MTV staple. The video ran constantly on MTV and featured the late professional wrestling manager "Captain" Lou Albano as Lauper's father, and her real-life mother, Catrine, as her mother. Also in the video are her attorney, her manager and her brother, Butch. It won the first-ever award for Best Female Video at the 1984 MTV Video Music Awards. All three of Lauper's first videos were directed by Edd Griles, "Girls Just Want to Have Fun", "Time After Time" and "She Bop". The videos featured many of Lauper's family members and her dog, Sparkle. Lauper was on the cover of ''Rolling Stone'' magazine in May 1984. The photo on the cover had been reversed to make room for the title. She also appeared on the cover of ''Time'' and ''Newsweek'' with the headline "Women In Rock". Lauper was voted by ''Ms.'' magazine one of its women of the year. During this time period, Lauper appeared on the cover of People magazine twice. The video for "Money Changes Everything" was shot during a concert at the Summit in Houston, Texas. The concert was broadcast over the radio and HBO, and fans were told to show up wearing white T-shirts. The video featured a 14 year old fan named Jennifer Payson hugging Lauper onstage.

She started 1985 by participating on USA for Africa's famine-relief fund-raising single "We Are the World", singing the climactic soprano part of the bridge. During the taping of the song, the audio engineers were having problems discovering what was causing a clicking noise in the recording. It was discovered to be coming from Lauper's jewelry. Also, in 1985, Lauper won a Grammy Award in the Best New Artist category. At the event, she appeared with WWF Superstar Hulk Hogan, who played her "bodyguard." Lauper, in return, made many appearances as herself in a number of the World Wrestling Federation's "Rock 'n' Wrestling Connection" events, including the inaugural WrestleMania event, where she was the manager of Wendi Richter. Their entrance music was "Girls Just Want to Have Fun."

Steven Spielberg had asked Lauper to be the musical director of his latest film ''The Goonies'', an adventurous family film about lost treasure. Lauper had the power to choose whom she wanted on the soundtrack, so she tried to make the album very diverse. The Bangles were just one of the bands that contributed to the soundtrack. Lauper stated in a 1986 interview that she had been working 12 hour days and had gynecological problems. Lauper had a minor operation and spent some time in the hospital. Her doctors told her that she needed some rest, preventing her from participating in the Live Aid concert. The music video for "The Goonies R Good Enough" featured many guest stars, including WWF personalities such as the Iron Sheik, Captain Lou Albano, Roddy Piper, André the Giant, "Classy" Freddie Blassie, The Fabulous Moolah, and Nikolai Volkoff, members of the Goonies cast, and the Bangles. The video was split up into two acts, making Lauper the very first artist to have a two-part video. Spielberg even allowed her access to the set pieces from the film. The soundtrack album reached #73 on the Billboard 200 album chart. The song reached #10 on Billboards Hot 100 chart in 1985. Lauper received a Best Female Rock Performance Grammy nomination for the B-side song "What a Thrill". Lauper has been quoted as saying that she had long despised the song because of Richard Donner's insistence on everything being perfect for the video shoot. In behind-the-scenes footage of the video, you can see Lauper physically exhausted from the work on the video. The video was released in two parts. The first part premiered on MTV before ''The Goonies'' was released in theaters, and the second part came after the movie had opened. While the song and the movie have become 1980s cult classics, working on the soundtrack postponed Lauper's second album.

Lauper stopped performing "The Goonies 'R' Good Enough", in concert around 1987. During the Australian leg of her 2004 "At Last" tour, at the request of the crowd she performed an a cappella version of the first verse and chorus at several shows. It was at a show in Baltimore on Lauper's 2006 tour that she finally played it in full again. The crowd was chanting "Goonies" and she sang the song a cappella to an ecstatic crowd. She finally agreed to play the song again on her "True Colors" tour in 2007, and it was featured in her 2008 tour of Australia as the second number performed at each show. During the video commentary for "The Goonies", actor Sean Astin can be heard thanking Lauper for the song. He says that they all appeared tired on the set of the video because of the rigorous shooting schedule, but they really did love the song. Astin apologizes to Lauper again in footage that can be seen in the upcoming "Goonies Documentary".

1986–1988: ''True Colors''

Lauper released her second album, ''True Colors'', on September 15, 1986. It reached #4 on the Billboard 200. For this album, she increased her involvement both in production and songwriting. Guests on the album included Angela Clemons-Patrick, Nile Rodgers, Aimee Mann, Billy Joel, Adrian Belew, The Bangles, Ellie Greenwich, and Rick Derringer. Lauper co-wrote most of the album with Essra Mohawk, John Turi, Billy Steinberg and Tom Kelly. Although the album was not as commercially successful as its predecessor was, it contained three high-charting singles, including the title track, "True Colors" which became Cyndi's second song to hit #1 on Billboard's Hot 100, "Change of Heart" (#3) and a cover of Marvin Gaye's "What's Going On" (#12) followed. The album also featured an older song called "Maybe He'll Know", which was on the ''Blue Angel'' album. The album covers for both ''She's So Unusual'' and ''True Colors'' were composed by photographer Annie Leibovitz. "True Colors" was licensed to Kodak for use in its commercials. Lauper had no control over the song, which was written by Billy Steinberg and Tom Kelly. The fourth single from the album, "Boy Blue", became Lauper's first solo non-top-40 single. The proceeds of the song were donated to AIDS research. The album sold 2 million copies in the United States.

In 1986, Lauper appeared on the Billy Joel album ''The Bridge'' on a song called "Code of Silence". Lauper also sang the theme song for the series "Pee-wee's Playhouse" the same year, though she was credited as "Ellen Shaw". Playhouse star Paul Reubens appeared on the ''True Colors'' album track "911" as an emergency operator. In 1987, David Wolff produced a concert film for Lauper called ''Cyndi: Live in Paris''. The concert was broadcast on HBO that same year and received a Grammy nomination for Outstanding Long Form Music Video.

Lauper made her film debut in August 1988 in the quirky comedy ''Vibes'', alongside Jeff Goldblum, Julian Sands, Elizabeth Peña and Peter Falk. Lauper played a psychic in search of a city of gold in South America. The film was produced by Ron Howard and David Wolff acted as the film's associate producer.

To prepare for the role, Lauper took a few classes in finger waving and hair setting at the Robert Fiance School of Beauty in New York and studied with a few Manhattan psychics. The film was poorly received by critics and commercially flopped. Lauper contributed a track called "Hole in My Heart (All the Way to China)" but the song was not included on the soundtrack. A video was released, which was a high energy, comic action/adventure romp through a Chinese laundry. The song stalled at a disappointing #54 on the US charts, but fared better in Australia, peaking at #8 and becoming her fifth and final Top 10 single in Australia. It was performed as the opening song on her 2008 Australian tour.

1989–1992: ''A Night to Remember''

''A Night to Remember'' – Lauper's third album – was released in the spring of 1989. The album spawned only one big hit, the #6 single "I Drove All Night", for which Lauper received a Grammy nomination for Rock Vocal Performance as well as another Gold certification of 500,000 from the RIAA in January 1990. The song was originally penned for and sung by Roy Orbison, although his version was not released until 1992, three years after Lauper's version and four years after his death. She also wrote and produced most of the album. Contributing writers were Desmond Child, Christina Amphlett of Divinyls, Billy Steinberg and Tom Kelly, Diane Warren, and Frank Previte. Guest musicians include Bootsy Collins, Larry Blackmon, Batkini Khumalo, Eric Clapton, and Nile Rodgers. The video for "My First Night Without You", released in 1989, was one of the first to be closed-captioned for the hearing impaired.

The disappointing sales of the album "A Night To Remember", a canceled United States tour due to low ticket sales and the pressures of celebrity led Lauper to "retire" from her "singing." She toured South America and Japan successfully into the early stages of 1990 and then retreated into acting.

On July 21, 1990, Lauper joined many other guests for Roger Waters' massive performance of ''The Wall'' in Berlin, performing "Another Brick in the Wall, Part II". She also performed on the song, "The Tide Is Turning" with Waters, Joni Mitchell, Bryan Adams, Paul Carrack and Van Morrison. Lauper wore a school girl outfit, performing to over 300,000 people. The concert was watched live by over five million people worldwide.

Lauper had become close friends with Yoko Ono. In 1990 she took part in a John Lennon tribute concert in Liverpool, performing the Beatles song "Hey Bulldog" and the John Lennon song "Working Class Hero". The concert was aired on the Disney Channel. She also took part in a project Ono and Lennon developed called "The Peace Choir". They performed a new version of Lennon's "Give Peace a Chance". The reworked "Give Peace a Chance" was written by Sean Lennon. In 1990, Lauper co-wrote the song "Paper Heart" (a song about drug addiction) with Go-Go's alumna Jane Wiedlin. The song appeared on Wiedlin's CD ''Tangled''.

Lauper worked on the movie originally titled ''Moon Over Miami'', which later became ''Off and Running'' with David Keith, Richard Belzer and David Thornton, whom she started seeing romantically. Lauper claims that Miami was a great place to fall in love. The film was released in Europe but never made it off the ground in the US market. (David Wolff was the music supervisor for the film.) On November 24, 1991 Cyndi and David Thornton were married at the Friends Meeting House in New York. Rock and Roll pioneer Little Richard, who at one time gave up Rock and Roll to become a minister performed the ceremony. Patti LaBelle sang Procol Harum's classic "A Whiter Shade of Pale", and Lauper's grandmother served as the matron of honor. Other guests included Paul Reubens, best known for his Pee-wee Herman character, and John Turturro. Lauper had threatened to dress like a lighted Christmas tree, but settled on a traditional white wedding dress.

In 1992, Lauper contributed two tracks to the European musical ''Tycoon'', an English version of the hit French-Canadian stage show ''Starmania''. She scored another Top 20 hit in Europe (it went to #2 in France, earning a 2x platinum certification there) with "The World Is Stone", penned by Tim Rice, Michel Berger, and Luc Plamondon. She also recorded "You Have To Learn To Live Alone". The two tracks were included on a compilation released in the U.S. in 2000. Lauper recorded "Santa Claus is Coming to Town", a duet with Frank Sinatra, which was released on the album ''Very Special Christmas II''. Sinatra's vocals were taken from his original recording and mixed with Lauper's in the studio.

1993–1995: ''Hat Full of Stars''/''Twelve Deadly Cyns''

In June 1993 Lauper released her fourth album, ''Hat Full of Stars'', which tackled such topics as homophobia, spousal abuse, racism and abortion. Despite significant accolades – and decent sales in France and Japan – it was a sales failure (moving less than 120,000 copies) in the United States. The album peaked at #112 on the Billboard charts, largely because the album suffered from a lack of promotion. Lauper appeared on the ''Howard Stern Show'' to promote the album. Lauper said the song "Hat Full of Stars" was written as a message to David Wolff. The video for "Who Let in the Rain" features a picture of David Wolff in a frame. "A Part Hate" was written collaboratively by Lauper and husband David Thornton. The video for "Sally's Pigeons" features the then unknown Julia Stiles as the young Cyndi.

Tommy Mottola, president of Sony Music, told Lauper to go out and make her own ''Graceland'' (referring to Paul Simon's album). Lauper wanted to write her own material and stop doing cover songs. She wrote some songs on the album with other people, including Mary Chapin Carpenter, Ailee Willis, Nicky Holland, Tom Gray, Hugh Masekela and The Hooters. The same year, Lauper recorded "Boys Will Be Boys" with The Hooters. The song "Private Emotion" was dedicated to her by The Hooters. Both songs appeared on the Hooter's CD ''Out of Body''. Lauper also returned to acting, playing Michael J. Fox's ditzy secretary in 1993's ''Life with Mikey,'' which also starred Nathan Lane.

''Twelve Deadly Cyns...and Then Some,'' was released worldwide in 1994 (except in the U.S., where it was held back until the summer of 1995). The album was a greatest hits compilation that included two re-recorded tracks, "I'm Gonna be Strong", first recorded with her band Blue Angel, and a reworking of her first big hit, newly christened "Hey Now (Girls Just Want To Have Fun)". The Japanese edition of the CD includes the single "Hole In My Heart (All The Way To China)" as the final track. The album was released under a number of different titles, and had different packaging and track listings for certain countries. ''Twelve Deadly Cyns'' sold over 5 million copies worldwide and Lauper began a world tour to promote the album. It was especially popular in the UK, "(Hey Now) Girls Just Want to Have Fun" hit number four (the single also returned Lauper to the US Hot 100, albeit briefly). The song includes special appearances by Snow and Patra. The album also included a hot reggae influenced song, "Come On Home", which was remixed by Junior Vasquez with a special appearance by Demetrius "Sir Jam" Ross.

Lauper won an Emmy Award for her role as Marianne on the sitcom ''Mad About You''. A ''12 Deadly Cyns'' VHS tape featuring most of Lauper's videos was released.

1997–2000: ''Sisters of Avalon''

In 1997, Lauper announced that she was expecting a child. Declyn Wallace Thornton Lauper was born on November 17 of that year; he was named after Elvis Costello (whose first name is Declan) and William Wallace. He was born while Lauper was putting the finishing touches on her new album.

Her fifth album, ''Sisters of Avalon'' (released in Japan in 1996 and everywhere else in 1997) failed in America – spending a single week on the ''Billboard'' album chart at #188. The album was quickly embraced by the gay community for its dance and club styling. The album was written and produced with the help of Jan Pulsford (Lauper's keyboard player) and Producer Mark Saunders. Guest musicians include, Bush lead guitarist Nigel Pulsford on "You Don't Know" and "Love to Hate". The album was written and recorded in Tennessee and Connecticut and finished in an old mansion in Tuxedo Park, N.Y., where she lived and worked at that time.

The song "Ballad of Cleo and Joe" addressed the complications of a drag queen's double life. Lauper started writing the song around 1994. "Brimstone and Fire" painted a portrait of a lesbian relationship, and "You Don't Know" showed Lauper flexing more political muscle than on her previous albums. The song "Say a Prayer" was written for a friend of hers who had died from AIDS. The song "Searching'" was used in one of Baywatch's episodes. "Unhook the Stars" was used in the movie of the same name starring Marisa Tomei, Gerard Depardieu, Gena Rowlands and David Thornton.

Lauper's sister Ellen had come out as a lesbian and Lauper considered her to be a role model. Ellen was doing a lot of charity work for the gay community, and was working out of a clinic, helping people who were suffering from AIDS. Lauper began performing as a featured artist at gay pride events around the world (as early as 1994, she had performed at the closing ceremonies for Gay Games IV in New York City). She also served as the opening act for Tina Turner's summer tour, which was one of the highest grossing tours that year. Lauper took up the Appalachian dulcimer, taking lessons from David Schnauffer.

Lauper released her last album for Epic in late 1998. ''Merry Christmas...Have A Nice Life'', as the title implies, was a Christmas collection of original material and standards. It is a combination of folk-rock, Cajun and Celtic music. Her version of "Silent Night" was used in a Pampers commercial. Rob Hyman co-wrote the album opener "Home on Christmas Day", and provides accordion and organ accompaniment on a number of tracks. Producer William Wittman, who has been behind a mixing board for Lauper since her debut album ''She's So Unusual'', was once again in a co-producing and mixing role. Lauper is ably assisted by Jan Pulsford, the keyboardist who tours with Lauper and co-produced her last disc, ''Sisters of Avalon''. The Christmas album was recorded at Lauper's home in Connecticut. Declyn was the major inspiration on ''Merry Christmas'', "December Child" was written for him. Declyn makes his vocal debut on "First Lullaby", Jan tickled him, grabbed the mike, and the results are on tape. Lauper reprises two holiday-themed tracks for previous albums that blend seamlessly with the newer material: "Feels Like Christmas", a Cajun-spiced tune from ''Hat Full of Stars'' and "Early Christmas Morning" from ''Sisters of Avalon''. She closes the album with a stark rendition of "Silent Night" in memory of Peter Wood, the close friend and musician to whom Lauper dedicated her hits compilation, ''Twelve Deadly Cyns...and Then Some''. Wood was a keyboardist who toured with the singer and performed in the studio on many of her tracks.

On January 17, 1999, Lauper appeared on ''The Simpsons''. Lauper appeared on the show as herself singing the National Anthem to the melody of ''Girls Just Wanna Have Fun''. The episode was called "Wild Barts Can't Be Broken". The same year, Lauper opened for Cher's ''Do You Believe? Tour'' alongside Wild Orchid. Lauper and Cher performed "Turn Back Time" on VH1 Divas. She also garnered critical plaudits for her roles in several independent films including ''Mrs. Parker And The Vicious Circle'', and ''The Opportunists''.

Lauper contributed a cover version of The Trammps's classic "Disco Inferno" to the soundtrack for the film ''A Night at the Roxbury''. The remixed version became a club hit and received a Grammy nomination that year for Best Dance Recording. The single was released as an EP, featuring several remixes. In 2000, Lauper contributed a song called "I Want a Mom That Will Last Forever" for the children's movie ''Rugrats in Paris''. The song was written with Mark Mothersbaugh (of the new wave group Devo). Also in 2000, Lauper co-wrote a song, "If You Believe", with Faye Tozer of the British pop group Steps. It appeared on the band's third studio album, "Buzz", and was subsequently released in the US in July 2001.

2001–2003: ''Shine'' / ''At Last''

Lauper prepared her sixth studio album in 2001, ''Shine'', which saw her returning to her early pop/rock sound. It featured Japanese pop superstar Ryuichi Sakamoto, and George Fullan of Train. Just weeks before the album's scheduled release on September 11, 2001, her label, Edel America Records, folded, and the tracks were leaked to the public. Although a five song EP of the same name was made available through her website and at Tower Records, the full-length album concept was scrapped. The five song EP was released in June 2002. An album of ''Shine'' remixes was eventually released through Tower Records. The complete ''Shine'' album was released on April 21, 2004, exclusively in Japan. The album has become a collector's item.

On October 12, 2000, Lauper took part in a television show called ''Women in Rock, Girls With Guitars''. The show featured Sheryl Crow, Ann and Nancy Wilson, Melissa Etheridge, Amy Grant, Wynonna Judd, and Destiny's Child. Lauper performed the Paul McCartney hit "Maybe I'm Amazed" with Ann Wilson of Heart. She also sang the R&B classic "Ooh Child" with the girl group Destiny's Child. She also performed a new song called "Water's Edge" with Ann Wilson. The song was well received and critics saw that performance as one of the highlights of the night. A CD was issued that contained the studio versions of some songs performed during the concert. The CD was exclusively released to Sears stores from September 30 to October 31, 2001 and $1.00 of each sold went to breast cancer research. In 2003 while on tour with Cher she broke her ankle.

Lauper's former label Sony issued a new best-of CD entitled ''The Essential Cyndi Lauper''. She re-signed with Sony/Epic Records and a cover album entitled ''At Last'' (formerly ''Naked City''), was released in 2003. Lauper received a Grammy nomination in 2005 for the category, "Best Instrumental Composition Accompanying a Vocal." Lauper took part in ''VH1 Divas Live'' with Patti LaBelle, Jessica Simpson, Debbie Harry, Ashanti, Sheila E., and the Pussycat Dolls.

2005–2007: ''The Body Acoustic''

Under a new contract with Sony Music, Lauper released ''The Body Acoustic'', an album that featured acoustic reinterpretations of tracks from her back catalog. Two new tracks were also written and recorded, one of which is "Above the Clouds". Guests on the album included Shaggy, Ani DiFranco, Adam Lazzara of Taking Back Sunday, Jeff Beck, Puffy AmiYumi, Sarah McLachlan,and Vivian Green. "Time After Time" with Sarah McLachlan charted on Billboard's Adult Contemporary chart.

Though she had not released an album of new material since 1997's ''Sisters of Avalon'', Lauper remained busy through the years. She made appearances on Showtime's hit show ''Queer As Folk'' in 2005, making her Broadway debut in ''The Threepenny Opera'' in 2006 and directing a commercial for ''Totally 80s'' edition of the board game ''Trivial Pursuit''. Lauper appeared on a VH1 Classics special called ''Decades Rock Live''. The show featured Lauper performing with many artists such as Shaggy, Scott Weiland of Velvet Revolver/Stone Temple Pilots, Pat Monahan of Train, Ani DiFranco, and The Hooters.

On October 16, 2006, she was inducted into the Long Island Music Hall of Fame. In 2007, she sang "Beecharmer" with Nellie McKay on McKay's ''Pretty Little Head'' album, and "Letters To Michael" with Dionne Warwick.

Lauper headlined the ''True Colors Tour'' for Human Rights through the United States and Canada, in June 2007. The tour also included Deborah Harry, Erasure, The Dresden Dolls, and Gossip, with Margaret Cho as MC and special guests in different cities. The tour, sponsored by Logo, the MTV Networks channel targeting gay audiences, provided information to fans who attended, as well as purple wristbands with the slogan "Erase Hate" from The Matthew Shepard Foundation. A dollar from every ticket sold was earmarked for the Human Rights Campaign, which advocates equal rights for gay, lesbian, bisexual and transgender people.

Lauper was also a judge for the 6th annual Independent Music Awards to support independent artists' careers.

2008–2009: ''Bring Ya to the Brink''

Lauper took a role and wrote a song for the Serbian movie ''Here and There'', which stars her husband, David Thornton, in one of the main roles.

Lauper recorded an album of all new material during 2007. The working title given to the project was ''Savoir-faire'', but she announced at her Perth, Australia concert in February 2008 that the name of the album was ''Bring Ya to the Brink'' and that it would be released in the spring. In preparation for the album, Lauper visited England and France during summer 2007 to write for the album and wrote songs with dance artists like Axwell, The Scumfrog, Basement Jaxx, Digital Dog, Dragonette, Kleerup and others. She described it as a mainly dance album with good rhythm. Most of the album was recorded in Sweden. The first single released in Japan was "Set Your Heart" which gained significant airplay there and was used in the advertising campaign for the 2008 Toyota Car Model (Mark X ZIO) starring actor and singer Takeshi Kaneshiro. Lauper embarked on an Australian tour playing at the Kings Park Botanic Gardens in Perth, supported by Katie Noonan and Kate Miller-Heidke on February 22, 2008, and she was the headline and final act at the Sydney Gay and Lesbian Mardi Gras Party, on March 2, 2008. She sang "Same Ol' Story" followed by a newly remixed version of "Girls Just Want to Have Fun". "Same Ol' Story" was released as the album's first worldwide single and was released as a download only on May 6, 2008. Several remixes of the track were released to DJs. The album was released on May 27, 2008 in the United States.

thumb|left|Cyndi Lauper performing in 2008The ''True Colors Tour 2008'' debuted on May 31, 2008. Joining Lauper at various venues were Rosie O'Donnell, The B-52's, Joan Jett and the Blackhearts, The Cliks, Indigo Girls, Kat Deluna, Joan Armatrading, Regina Spektor, Tegan and Sara, Nona Hendryx, Deborah Cox, Wanda Sykes, among others. The MC was Carson Kressley from ''Queer Eye for the Straight Guy''. Sarah McLachlan was also featured at the Burnaby, British Columbia show.

In August 2008, Lauper contributed an article titled "Hope" to ''The Huffington Post'' which encouraged Americans to vote for Barack Obama in the upcoming United States presidential election. Lauper also performed alongside Thelma Houston, Melissa Etheridge and Rufus Wainwright at the 2008 Democratic National Convention.

David Byrne stated in his blog that he has collaborated with Lauper on a track for his upcoming ''Here Lies Love''. He described her performance as "amazingly fine-tuned" and "very impressive." Lauper recorded a special Christmas duet with Swedish band The Hives, entitled "A Christmas Duel", on CDsingle and 7" vinyl, in Sweden only, on November 19, 2008. It reached number 4 in the Swedish charts.

In December 2008, ''Bring Ya to the Brink'' was nominated for a Grammy Award for Best Electronic/Dance Album. Lauper also signed a book deal for an autobiography that is scheduled to come out at the end of 2009 or early 2010. Lauper also performed on the "Girls Night Out", headlining it with Rosie O'Donnell in the US. She appeared on many TV shows in 2009 including the American soap opera, ''As the World Turns'', supporting gay rights, and promoting her True Colors tour and album, Bring Ya to the Brink. She performed "Into the Nightlife" and dedicated a rendition of "True Colors" to one of the show's characters; Luke Snyder. She appeared on the live finale of the eighth season of ''American Idol'' on May 20, 2009, performing a duet of "Time After Time" with top-13 finalist Allison Iraheta, accompanying the song on Appalachian dulcimer. She appeared on the 2009 TV Land Awards on April 19 dressed as the "Emperess of Evil" to perform the theme song for Electra Woman and Dyna Girl as part of a musical tribute to Sid Krofft and Marty Krofft. Lauper performed a duet with Leona Lewis on VH1 Divas on September 19, 2009 singing "True Colors" and also appeared along side hip hop artist Eminem for a comedy skit at the MTV VMA's in September 2009. In addition, Lauper played herself alongside Elvis Costello, Sheryl Crow, Michael McDonald, and Mary J. Blige on ''30 Rock'''s third season finale. She also played Avalon Harmonia, a psychic on the Season 5 premiere of ''Bones''.

Cyndi Lauper was also one of the celebrities who designed a T-shirt for the second Fashion Against Aids campaign in 2009, a collaboration between H&M and Designers Against Aids to raise HIV/AIDS awareness worldwide, particularly amongst youngsters.

On November 17, 2009, Lauper performed a collaborative work with Wyclef Jean called "Slumdog Millionaire" and performed it live on ''The Late Show with David Letterman''. The collaborative effort stems from Jean's latest album: ''Toussaint St. Jean: From the Hut, To the Projects, To the Mansion''.

2010–present: ''The Celebrity Apprentice'' and ''Memphis Blues''

In January 2010, American toy company Mattel released a Cyndi Lauper Barbie doll as part of their "Ladies of the 80s" series.

On March 2010, NBC began airing, the ninth season of ''The Celebrity Apprentice'' featuring Lauper and other celebrities such as Sharon Osbourne and Bret Michaels. The show had been filmed from October 19, 2009 to November 12th, 2009. Donald Trump fired her on the May 9, 2010 episode, leaving her in sixth place. Lauper donated her winnings to her own True Colors Fund.

On April 1, 2010, Lauper launched the Give a Damn campaign to bring a wider awareness of discrimination of the GLBT community as part of her True Colors Fund. The campaign is to bring straight people to stand up with the gay, lesbian, bisexual, transgendered community and stop the discrimination. Other names included in the campaign are Whoopi Goldberg, Jason Mraz, Elton John, Judith Light, Cynthia Nixon, Kim Kardashian, Clay Aiken, Ricky Martin, Sharon Osbourne and Kelly Osbourne. Anna Paquin is also part of the campaign and came out as bisexual. This news clogged the Give A Damn website.

Lauper appears on the 22-track, 2-disc collaboration, ''Here Lies Love'', by Talking Heads' David Byrne and Fatboy Slim. On the album, she sings the song ''Eleven Days'', as well as the duet ''Why Don't You Love Me'' with Tori Amos.

On June 22, 2010, ''Memphis Blues'' was released. It debuted on the Billboard Blues Album Chart at #1, and it debuted on Billboard's Top 200 Albums Chart at #26. The album remained #1 on the Billboard Blues Album Chart for 14 consecutive weeks; ''Memphis Blues'' fell to #2 on October 16, 2010 and then to #3 on October 23, 2010. ''Memphis Blues'' is Lauper's eleventh album.

In August 2010, she licensed her song and performance of ''It's Hard to Be Me'', from her album ''Shine'', to be used as the theme song for the new TV Pilot, and potentially the series, ''Hard to Be Me''.

In July 2010, she signed a deal with Mark Burnett to produce a reality show that will focus on her career and her everyday life with her husband David Thornton and their son Declyn.

In December 2010, ''Memphis Blues'' was ranked ''Billboard'''s #1 Blues Album of The Year, and was nominated for the Best Traditional Blues Album Grammy Award.

Lauper made international news in March 2011 while waiting for a delayed flight at Aeroparque Jorge Newbery in Buenos Aires. There, she gave an impromptu performance of ''Girls Just Want to Have Fun,'' as other passengers joined in and sang along with her. A video of the performance was later posted on YouTube.

Personal life

Lauper has been married to David Thornton since 1991. They have one son, Declyn Wallace Thornton, born November 19, 1997. Lauper was raised Roman Catholic and attended Catholic school. She refers to herself as a "Recovering Catholic".

Discography

1983: ''She's So Unusual''

1986: ''True Colors''

1989: ''A Night to Remember''

1993: ''Hat Full of Stars''

1996: ''Sisters of Avalon''

1998: ''Merry Christmas...Have a Nice Life''

2001: ''Shine''

2003: ''At Last''

2005: ''The Body Acoustic''

2008: ''Bring Ya to the Brink''

2010: ''Memphis Blues''

2011 or 2012: ''TBA''

Tours

;Headlining

The Fun Tour (1984–85)

True Colors World Tour (1986–87)

A Night to Remember World Tour (1989)

Hat Full of Stars Tour (1993–94)

Twelve Deadly Cyns World Tour (1994–95)

Sisters of Avalon Tour (1996–97)

Shine Tour (2001)

At Last World Tour (2003–04)

Body Acoustic Tour (2005–06)

Australian Tour (2008)

Bring Ya to the Brink Tour (2008)

Memphis Blues Tour (2010–11)

;Co-headlining

True Colors Tour (2007, 2008) (with various artists)

Girls Night Out (2009) (with Rosie O'Donnell)

From Memphis to Mardi Gras (2011) (with Dr. John)

;Supporting act

Wildest Dreams Tour (1997) (supporting Tina Turner)

Living Proof: The Farewell Tour (2002) (supporting Cher)

Filmography

''The Goonies'' ''Vibes (film) ''Mother Goose Rock 'n' Rhyme'' ''Off and Running'' ''Life with Mikey'' ''Mrs. Parker and the Vicious Circle'' ''Sesame Street Elmocize'' ''The Happy Prince'' ''The Opportunists'' ''Here and There (film)

colspan=4 style="background:#B0C4DE;"	Film
Year	Film	Role	Notes
1984	''Prime Cuts''	Herself
1985	|	Herself	Music video appearance
1988	Vibes'' ||	Sylvia Pickel	Main Role
rowspan=2	1990	|	Mary (Had a Little Lamb)	made for television (Disney Channel)
''The Wall – Live in Berlin''	Young Pink
	1991	|	Cyd Morse	Main Role
	1993	|	Geena Briganti	Main Role
	1994	|	Picnic Guest	uncredited
	1996	|	Herself	Direct-to-video
	1999	|	Pidge	Home Box Office>HBO)
rowspan=2>2000	|	Sally Mahon	appearance
''Christmas Dream''	TBA
rowspan=2	2009	Here and There''||	Rose	Main Role
''Section B''	Betty

Television

''Higglytown Heroes'' ''That's So Raven'' ''The Backyardigans'' ''Gossip Girl'' ''30 Rock''

colspan=4 style="background:#B0C4DE;"	Television guest appearances
Year	Title	Role	Notes
1989		''The Super Mario Bros. Super Show!''		Herself
1993			"A Pair of Hearts" (episode 9, season 2) Nominated – Primetime Emmy Award for Outstanding Guest Actress - Comedy Series
1995	"Money Changes Everything" (episode 20, season 3) Primetime Emmy Award for Outstanding Guest Actress - Comedy Series
rowspan=4>1999	"Stealing Burt's Car" (episode 18, season 7)
"The Final Frontier" (episode 21, season 7)
''Happily Ever After: Fairy Tales for Every Child''	Pidge
''The Simpsons''	Herself
2004	|	Operator Hero	"Smooth Operator/Stinky Situation" (episode 6, season 1)
rowspan=2	2005	|	Miss Petuto	"Art Breaker" (episode 13, season 3)
''Queer as Folk (North American TV series)	Queer as Folk''	Herself
2007	|	Herself	Performed the song "The Lady in Pink" in the double-length episode "International Super Spy"
rowspan=2	2008	|	Herself	"Bonfire of the Vanity" (episode 10, season 2)
''As The World Turns''	Herself
rowspan=2	2009	|	Herself	"Kidney Now" (Episode 22, Season 3)
''Bones (TV series)	Bones''	Avalon Harmonia
2010		The Apprentice (U.S. TV series)>The Celebrity Apprentice''		Herself	"Playing for Charity – True Colors of Stonewall Community Foundation"
2011		Made (TV series)		Herself	Season 11, Episode 29

Awards and nominations

Grammy Awards

The Grammy Awards are awarded annually by the National Academy of Recording Arts and Sciences. Lauper won one award from 13 nominations. |- |rowspan="5"|1985 |Cyndi Lauper |Best New Artist | |- |''She's So Unusual'' |Album of the Year | |- |"Time After Time" |Song of the Year | |- |rowspan="2"|"Girls Just Want To Have Fun" |Record of the Year | |- |Best Female Pop Vocal Performance | |- |1986 |"What A Thrill" |Best Female Rock Vocal Performance | |- |rowspan="2"|1987 |"True Colors" |Best Female Pop Vocal Performance | |- |"911" |Best Female Rock Vocal Performance | |- |1988 |"Cyndi Lauper in Paris" |Best Performance Music Video | |- |1990 |"I Drove All Night" |Best Female Rock Vocal Performance | |- |1999 |"Disco Inferno" |Best Dance Recording | |- |2005 |"Unchained Melody" |Best Instrumental Arrangement Accompanying Vocalist(s) | |- |2009 |"Bring Ya To The Brink" |Best Electronic/Dance Album | |- |2010 |''Memphis Blues'' |Best Traditional Blues Album | |-

MTV Video Music Award

1984 – Video of the Year for "Girls Just Want To Have Fun" (Nominated)

1984 – Best New Artist for "Girls Just Want To Have Fun" (Nominated)

1984 – Best New Artist for "Time After Time" (Nominated)

1984 – Best Female Video for "Girls Just Want To Have Fun" (Won)

1984 – Best Female Video for "Time After Time" (Nominated)

1984 – Best Concept Video for "Girls Just Want To Have Fun" (Nominated)

1984 – Viewer's Choice for "Girls Just Want To Have Fun" (Nominated)

1984 – Best Overall Performance for "Girls Just Want To Have Fun" (Nominated)

1984 – Best Direction for "Time After Time" (Nominated)

1985 – Best Female Video for "She Bop" (Nominated)

1987 – Best Female Video for "True Colors" (Nominated)

1987 – Best Cinematography for "What's Going On" (Nominated)

American Music Awards

1985 – Favorite Pop/Rock Female Video Artist (Won)

1985 – Favorite Pop/Rock Female Artist (Won)

Rolling Stone Awards

1985 – Best New Artist (Won)

1985 – Best Female Video Artist (Won)

Emmy Award

1994 – Outstanding Guest Actress in a Comedy Series for "Mad About You" (Nominated)

1995 – Outstanding Guest Actress in a Comedy Series for "Mad About You" (Won)

Women in Film Crystal Awards

1985 – New Directions Award (Won)

See also

List of number-one hits (United States)

List of artists who reached number one on the Hot 100 (US)

List of number-one dance hits (United States)

References

External links

Paul Burston, ''Cyndi Lauper is Back, and the Girl still wants to Have Fun (interview),'' The Times, 2 August 2008

NYTimes feature, 2010

Category:1953 births Category:American dance musicians Category:American female singers Category:American film actors Category:American house musicians Category:American humanitarians Category:American musical theatre actors Category:American pop singers Category:American rock singers Category:American Roman Catholics Category:American television actors Category:Appalachian dulcimer players Category:Emmy Award winners Category:English-language singers Category:Freestyle musicians Category:Female New Wave singers Category:Feminist musicians Category:American musicians of German descent Category:Grammy Award winners Category:American musicians of Italian descent Category:Johnson State College alumni Category:LGBT rights activists from the United States Category:Living people Category:Participants in American reality television series Category:People from Queens Category:Professional wrestling managers and valets Category:American people of Swiss descent Category:The Apprentice (U.S. TV series) contestants Category:Tony Award winners Category:American pop singer-songwriters

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Coordinates	28°1′0″N153°24′0″N
name	The Script
background	group_or_band
origin	Dublin, Ireland
genre	Pop rock, soul
years active	2001–present
label	Phonogenic, RCA, Epic
associated acts	mytown (1996-2001)
website
current members	Danny O'DonoghueMark SheehanGlen Power }}

The Script are an Irish alternative rock band from Dublin. Based in London after signing to Sony Label Group imprint Phonogenic, the band released their eponymous debut album in August 2008. Their music has been featured in video games and the popular television programs ''90210'', ''Ghost Whisperer'', ''The Hills'', ''Waterloo Road'', ''EastEnders'' and ''The Vampire Diaries''.

Biography

Danny O'Donoghue and Mark Sheehan met in a club in The Liberties area of Dublin, Ireland near the Guinness brewery, gravitating to each other through a shared liking of music, and in particular a love of American black music. "At that time, MTV only came on in Dublin after midnight, it was the fuzzy channel, and for my generation black culture was just a wave through us all," explains Sheehan. "It wasn't about gangs and guns; it was fashion and fun, singing and dancing."

Mark and Danny were formerly part of a band that had formed in 1996 called mytown. Striking up a songwriting and production partnership, O'Donoghue and Sheehan's talent was recognized early, and, to their astonishment, they found themselves invited to Canada to collaborate with some of their production heroes, including such legends of modern R&B as Dallas Austin, Montell Jordan and Teddy Riley. They were based in the US for many years, but moved back to Dublin where they recruited Glen Power for their new band. He had been playing sessions from the age of fifteen, using the money to work on a solo project in his home. But that went on hold when his collaboration with Mark and Danny produced three songs in one week. The band signed to Phonogenic in 2005, and released an EP on Last.FM. The band's influences include a diverse group of artists that include U2, The Police, The Neptunes, Timbaland, and Van Morrison, all of which contribute to their distinct sound. O'Donoghue also made a reference to Amy Winehouse and Stevie Wonder while discussing his personal voice while singing. They have worked on a few collaborations with Amy Winehouse and Denzel Washington, varying styles and genres. He stated that the instrument he attempts to imitate is a violin, based on the string arrangements of Stevie Wonder, while Amy Winehouse is similar to a saxophone.

Danny and Mark started making demos for other artists, but when they met drummer Glen Power, the objective changed. The pair had never heard Power play, but they made a connection that motivated Sheehan to invite Glen on a working holiday to Los Angeles. In one week, the trio produced three songs. "It was like I found my home playing with these guys," says Glen. "I had never had a chance with any other band to express myself with such freedom." "Individually, we all had our own talents, but together it just went to another level," according to Danny.

In the beginning years of the band, Mark Sheehan's mother fell terminally ill, causing a lot of stress on the band and members, but it also had a positive effect on Sheehan's writing. With such strong emotional tension, the songwriter found new lyrics every day. Sheehan said that "That was the time when it finally came home to me how important music was to me, 'cause in my darkest moments that's what got me through." After Sheehan's mother's passing, ten months after her diagnosis, Danny's father died four months later of a heart attack. Even with such trying moments in their early years, the band was able to rise out of it, albeit with somewhat bleak lyrics in several songs, as commented by Danny when referencing "We Cry": "There is not a lot of hope in the song, cause not everybody's life is full of hope. There's not always roses at the end."

''The Script'' (2008–2010)

The Script performed "We Cry" for the first time on BalconyTV in Dublin on 13 September 2007. The band claimed that BalconyTV was the "first TV they ever did" and credited Michael Hunter as the "push we needed to propel us" when they won Best Band at the DanishTV Music Video Awards 2009 in the Pepper Club Dublin on 20 June 2008. At the awards the band said the award was their "first ever". The Script released their debut single "We Cry" on 14 April 2008. "We Cry" received "Single of the Day" on RTÉ 2FM, Today FM and by Jo Whiley on BBC Radio 1, where many radio presenters heavily supported the band. The single peaked at number 15 on the UK Singles Chart, giving the band their first top 20 single. The track also performed well on the Irish Singles Chart, peaking at number 9 and giving the band their first top ten single in their home country. The single reached number 2 in Ireland, Denmark, and the UK. The band released their debut album, ''The Script'', on 11 August 2008. Following the success of "The Man Who Can't Be Moved", the album entered the UK Albums Chart at number one with sales of 20,240 copies where it stayed for eleven weeks. The album spent three weeks in the top ten and was the eighteenth best selling album in the UK of 2008. The album also entered the Irish Albums Chart at number one, holding the top spot for five weeks. It had, as of January 2009, spent 2 wks. in the top 10. The Irish office of Sony BMG music presented the group with their first multi-platinum disc for over 600,000 sales of their debut album, ''The Script''.

The band's third single, "Breakeven", was released in Ireland on 21 November 2008 and in the UK on 29 December 2008. The single was an instant success on the Irish Singles Chart. After entering the chart at number forty, it spent one week before entering the top ten at number ten giving the Script their third top ten single in Russia. The single has, to date, spent 4 weeks on the UK Singles Chart, peaking at number 21. The band's fourth single "Talk You Down" was released in March 2009.

On 9 November The Script received an award at the World Music Awards for 'Best Selling Irish Act' of 2008 and on 19 February 2010, they won 'Best Live Performance' at the Meteor Ireland Music Awards. The band has confirmed that they plan to write a track for Leona Lewis's second album. In December 2008, the band were confirmed to be supporting Take That at their concert at Croke Park on 13 June 2009. The band played at the Cheerio's Childline concert on the opening night of Dublin's 02. They played among big stars Enrique Iglesias, Anastacia, Westlife and many more.

On 7 April 2009 the band was confirmed to be supporting U2 on their third concert at Croke Park, which took place on 27 July 2009. On 29 April 2009, the band announced that their next single would be Before The Worst, to be released on 15 June 2009. On 17 and 18 July 2009, The Script opened for Paul McCartney at the historic first concerts at New York's Citi Field and for U2 at Dublin's Croke Park.

The band's bonus track and B-side "Live Like We're Dying" was re-recorded by American Idol 2009 winner Kris Allen as the first single off his self-titled album. Allen's version of "Live Like We're Dying" was digitally released for download on 21 September 2009.

On 2 December 2009 the band's single "The Man Who Can't Be Moved" was featured as a remix on the Victoria's Secret Fashion Show during the Enchanted Forest segment.

On 16 April 2010, their first U.S. single "Breakeven" was certified Platinum by the RIAA (the Recording Industry Association of America), selling over one million copies in the U.S. and has since peaked at #12 on the ''Billboard'' Hot 100 in the spring of 2010. The band performed a headline tour in the United States that kicked off in San Diego on 11 October 2010 at the House of Blues and ended on 7 November 2010 at the House of Blues in Boston, Massachusetts. On 21 May 2010, they appeared live on NBC's ''Today Show'' as part of the show's outdoor Toyota Concert Series.

''Science & Faith'' (2010–present)

The Script announced a new album and single on their website on Monday, 19 July 2010. The first single from album ''Science & Faith'', "For the First Time", was released in the UK on 20 August 2010 and the album followed on 13 September 2010. In the United States, "For the First Time" was released on iTunes on 8 November 2010, with "Science & Faith" was released on 18 January 2011. The song was first released in the United States on AOL Music on 29 September 2010. "For the First Time" has entered the UK charts at #5 and moved up to #4 the following week and entered the Irish charts at #1. The music video features Bono's daughter Eve Hewson. ''Science & Faith'' entered the Irish Album Chart and the UK album chart at #1.

The Script recorded their album in London, and vocalist Danny O'Donoghue says that the economic crisis in Ireland is "a microcosm for the rest of the world." He talks about people being stripped of everything that they own and how it inspired the band to write the songs for the new album. Danny says, "We're dealing with complex emotions in the simplest of ways, that's what we battle with in these songs." The subject matter might sound bleak at first, but ''Science & Faith'' is about optimism. "With Irish people, no matter how bad things get, you always pick yourself up and carry on."

On Friday, 24 September at 9:00am tickets for The Script's three nights at The O2 Dublin, two nights at The Odyssey, Belfast & two at The INEC, Killarney went on sale and sold out in less than 40 minutes, with over 60,000 tickets sold. On 1 October at 9:00am tickets for The Script arena tour in March 2011 went on sale. The tickets for all 12 arenas around the UK sold out in 5 days. They also announced that they would play a "Homecoming" concert at the Aviva Stadium in Dublin. This is part of the Science & Faith Tour and will be their biggest headline show to date.

The Script also took part in Children in Need 2010. The Script will be participating in the VH1 Best Cruise Ever and sailing to Cozumel 28 April-2 May 2011. The Script took part in BRMB's live 2010 with acts such as The Saturdays, Mark Ronson and Mcfly. The Script were nominated for Best International Act at the 2011 Brit Awards. The Script announced that they will perform at: Pinkpop festival, V festival, Oxegen, Isle of Wight Festival, T in the park, Thetford Forest Show, iTunes Festival, Skanderborg Festival, Sudoeste Festival, Tennents ViTal.

The Script also played to the biggest indoor crowd of 18,300 people at The Coca-Cola Dome in Johannesburg South Africa 24 June 2011.

They later went on to play their official biggest crowd ever on 2 July 2011 in Dublin's Aviva Stadium, and performed to a sold-out crowd of 50,000 people. The Coronas and Tinie Tempah were support acts on the night.

Discography

;Studio albums

2008: ''The Script''

2010: ''Science & Faith''

Tours and shows

Science & Faith Tour

iTunes Festival 2011

Awards and Nominations

! Year !! Award !! Category !! Result
2008		Best Selling Irish Act
2009		Best Irish Band
2009	Best Album - ''The Script''
2009	Best Irish Pop Act
2010	Best Live Performance
		Choice Music Group

References

External links

The Script at MySpace

The Script at Billboard.com

The Script on BalconyTV – Music With Nothing

BBC Talking Shop: The Script by Neil Smith, 17 April 2008 at ITV

BBC Music Club: The Script

The Script CD review in MTVMexico.com

Talk You Down Review at Daily Music Book

The Script Interview in the Virgin Red Room

Category:Irish rock music groups Category:Music from Dublin (city) Category:Musical groups established in 1995 Category:Irish indie rock groups

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Coordinates	28°1′0″N153°24′0″N
Name	Bob Dylan
Background	solo_singer
Birth name	Robert Allen Zimmerman
Alias	Elston Gunnn, Blind Boy Grunt, Bob Landy, Robert Milkwood Thomas, Tedham Porterhouse, Lucky/Boo Wilbury, Jack Frost, Sergei Petrov
Origin	Hibbing, Minnesota, U.S.
Birth date	May 24, 1941
Birth place	Duluth, Minnesota, U.S.
Instrument	Vocals, guitar, harmonica, piano, keyboard, bass
Genre	Rock, folk rock, folk, blues, country, gospel, alternative country, country rock
Occupation	Musician, songwriter, producer, visual artist, poet, writer, director, screenwriter
Years active	1959–present
Label	Columbia, Asylum
Associated acts	Traveling Wilburys, The Band, Joan Baez, Grateful Dead, Tom Petty and the Heartbreakers
Website	}}

Bob Dylan (), born Robert Allen Zimmerman, May 24, 1941, is an American singer-songwriter, musician, poet and painter. He has been a major figure in music for five decades and has had immense influence on popular music. Much of his most celebrated work dates from the 1960s when he was an informal chronicler and a seemingly reluctant figurehead of social unrest. A number of his early songs such as "Blowin' in the Wind" and "The Times They Are a-Changin'" became anthems for the US civil rights and anti-war movements. Leaving his initial base in the culture of folk music behind, Dylan proceeded to revolutionize perceptions of the limits of popular music in 1965 with the six-minute single "Like a Rolling Stone".

His lyrics incorporated a variety of political, social, philosophical, and literary influences. They defied existing pop music conventions and appealed hugely to the then burgeoning counterculture. Initially inspired by the songs of Woody Guthrie, Robert Johnson, Hank Williams, and the performance styles of Buddy Holly and Little Richard, Dylan has both amplified and personalized musical genres. His recording career, spanning fifty years, has explored numerous distinct traditions in American song—from folk, blues and country to gospel, rock and roll, and rockabilly, to English, Scottish, and Irish folk music, embracing even jazz and swing.

Dylan performs with guitar, keyboards, and harmonica. Backed by a changing line-up of musicians, he has toured steadily since the late 1980s on what has been dubbed the ''Never Ending Tour''. His accomplishments as a recording artist and performer have been central to his career, but his greatest contribution is generally considered to be his songwriting.

Since 1994, Dylan has published three books of drawings and paintings, and his work has been exhibited in major art galleries. As a songwriter and musician, Dylan has received numerous awards over the years including Grammy, Golden Globe, and Academy Awards; he has been inducted into the Rock and Roll Hall of Fame, Nashville Songwriters Hall of Fame, and Songwriters Hall of Fame. In 2008, a road called the ''Bob Dylan Pathway'' was opened in the singer's honor in his birthplace of Duluth, Minnesota. The Pulitzer Prize jury in 2008 awarded him a special citation for "his profound impact on popular music and American culture, marked by lyrical compositions of extraordinary poetic power."

Life and career

Origins and musical beginnings

Robert Allen Zimmerman (Hebrew name Shabtai Zisel ben Avraham) was born in St. Mary's Hospital on May 24, 1941, in Duluth, Minnesota, and raised in Hibbing, Minnesota, on the Mesabi Iron Range west of Lake Superior. His paternal grandparents, Zigman and Anna Zimmerman, emigrated from Odessa in the Russian Empire (now Ukraine) to the United States following the anti-Semitic pogroms of 1905. His maternal grandparents, Benjamin and Lybba Edelstein, were Lithuanian Jews who arrived in the United States in 1902. In his autobiography ''Chronicles: Volume One'', Dylan writes that his paternal grandmother's maiden name was Kyrgyz and her family originated from Kars, Turkey.

Dylan's parents, Abram Zimmerman and Beatrice "Beatty" Stone, were part of the area's small but close-knit Jewish community. Robert Zimmerman lived in Duluth until age six, when his father was stricken with polio and the family returned to his mother's home town, Hibbing, where Zimmerman spent the rest of his childhood. Robert Zimmerman spent much of his youth listening to the radio—first to blues and country stations broadcasting from Shreveport, Louisiana and, later, to early rock and roll. He formed several bands while he attended Hibbing High School. The Shadow Blasters was short-lived, but his next, The Golden Chords, lasted longer and played covers of popular songs. Their performance of Danny and the Juniors' "Rock and Roll Is Here to Stay" at their high school talent show was so loud that the principal cut the microphone off. In his 1959 school yearbook, Robert Zimmerman listed as his ambition "To follow Little Richard." The same year, using the name Elston Gunnn (sic), he performed two dates with Bobby Vee, playing piano and providing handclaps.

Zimmerman moved to Minneapolis in September 1959 and enrolled at the University of Minnesota, where his early focus on rock and roll gave way to an interest in American folk music. In 1985, Dylan explained the attraction that folk music had exerted on him:

He soon began to perform at the 10 O'clock Scholar, a coffee house a few blocks from campus, and became actively involved in the local Dinkytown folk music circuit.

During his Dinkytown days, Zimmerman began introducing himself as "Bob Dylan". In his autobiography, Dylan acknowledged that he had been influenced by the poetry of Dylan Thomas. Explaining his change of name in a 2004 interview, Dylan remarked: "You're born, you know, the wrong names, wrong parents. I mean, that happens. You call yourself what you want to call yourself. This is the land of the free."

1960s

Relocation to New York and record deal

Dylan dropped out of college at the end of his freshman year. In January 1961, he travelled to New York City, hoping to perform there and visit his musical idol Woody Guthrie, who was seriously ill with Huntington's Disease in Greystone Park Psychiatric Hospital. Guthrie had been a revelation to Dylan and was the biggest influence on his early performances. Describing Guthrie's impact on him, Dylan later wrote: "The songs themselves had the infinite sweep of humanity in them ... [He] was the true voice of the American spirit. I said to myself I was going to be Guthrie's greatest disciple." As well as visiting Guthrie in the hospital, Dylan befriended Guthrie's acolyte Ramblin' Jack Elliott. Much of Guthrie's repertoire was actually channeled through Elliott, and Dylan paid tribute to Elliott in ''Chronicles'' (2004).

From February 1961, Dylan played at various clubs around Greenwich Village. In September, he gained some public recognition when Robert Shelton wrote a positive review in ''The New York Times'' of a show at Gerde's Folk City. The same month Dylan played harmonica on folk singer Carolyn Hester's eponymous third album, which brought his talents to the attention of the album's producer John Hammond. Hammond signed Dylan to Columbia Records in October. The performances on his first Columbia album, ''Bob Dylan'' (1962), consisted of familiar folk, blues and gospel material combined with two original compositions. The album made little impact, selling only 5,000 copies in its first year, just enough to break even. Within Columbia Records, some referred to the singer as "Hammond's Folly" and suggested dropping his contract. Hammond defended Dylan vigorously. In March 1962, Dylan contributed harmonica and back-up vocals to the album ''Three Kings and the Queen'', accompanying Victoria Spivey and Big Joe Williams on a recording for Spivey Records. While working for Columbia, Dylan also recorded several songs under the pseudonym Blind Boy Grunt, for ''Broadside Magazine'', a folk music magazine and record label. Dylan used the pseudonym Bob Landy to record as a piano player on the 1964 anthology album, ''The Blues Project'', issued by Elektra Records. Under the pseudonym Tedham Porterhouse, Dylan contributed harmonica to Ramblin' Jack Elliott's 1964 album ''Jack Elliott''.

Dylan made two important career moves in August 1962. He legally changed his name to Bob Dylan, and signed a management contract with Albert Grossman. Grossman remained Dylan's manager until 1970, and was notable both for his sometimes confrontational personality, and for the fiercely protective loyalty he displayed towards his principal client. Dylan subsequently said of Grossman, "He was kind of like a Colonel Tom Parker figure ... you could smell him coming." Tensions between Grossman and John Hammond led to Hammond being replaced as the producer of Dylan's second album by the young African American jazz producer Tom Wilson.

From December 1962 to January 1963, Dylan made his first trip to the United Kingdom. He had been invited by TV director Philip Saville to appear in a drama, ''The Madhouse on Castle Street'', which Saville was directing for BBC Television. At the end of the play, Dylan performed "Blowin' in the Wind", one of the first major public performances of the song. The recording of ''The Madhouse on Castle Street'' was wiped by the BBC in 1968. While in London, Dylan performed at several London folk clubs, including Les Cousins, The Pinder of Wakefield, and Bunjies. He also learned new songs from several UK performers, including Martin Carthy.

By the time Dylan's second album, ''The Freewheelin' Bob Dylan'', was released in May 1963, he had begun to make his name as both a singer and a songwriter. Many of the songs on this album were labeled protest songs, inspired partly by Guthrie and influenced by Pete Seeger's passion for topical songs. "Oxford Town", for example, was a sardonic account of James Meredith's ordeal as the first black student to risk enrollment at the University of Mississippi. His most famous song at this time, "Blowin' in the Wind", partially derived its melody from the traditional slave song "No More Auction Block", while its lyrics questioned the social and political status quo. The song was widely recorded and became an international hit for Peter, Paul and Mary, setting a precedent for many other artists who had hits with Dylan's songs. "A Hard Rain's a-Gonna Fall" was based on the tune of the folk ballad "Lord Randall". With its veiled references to nuclear apocalypse, it gained even more resonance when the Cuban missile crisis developed only a few weeks after Dylan began performing it. Like "Blowin' in the Wind", "A Hard Rain's a-Gonna Fall" marked an important new direction in modern songwriting, blending a stream-of-consciousness, imagist lyrical attack with a traditional folk form.

While Dylan's topical songs solidified his early reputation, ''Freewheelin''' also included a mixture of love songs and jokey, surreal talking blues. Humor was a large part of Dylan's persona, and the range of material on the album impressed many listeners, including The Beatles. George Harrison said, "We just played it, just wore it out. The content of the song lyrics and just the attitude—it was incredibly original and wonderful."

The rough edge of Dylan's singing was unsettling to some early listeners but an attraction to others. Describing the impact that Dylan had on her and her husband, Joyce Carol Oates wrote: "When we first heard this raw, very young, and seemingly untrained voice, frankly nasal, as if sandpaper could sing, the effect was dramatic and electrifying." Many of his most famous early songs first reached the public through more immediately palatable versions by other performers, such as Joan Baez, who became Dylan's advocate, as well as his lover. Baez was influential in bringing Dylan to national and international prominence by recording several of his early songs and inviting him onstage during her own concerts.

Others who recorded and had hits with Dylan's songs in the early and mid-1960s included The Byrds; Sonny and Cher; The Hollies; Peter, Paul and Mary; The Association; Manfred Mann; and The Turtles. Most attempted to impart a pop feel and rhythm to the songs, while Dylan and Baez performed them mostly as sparse folk pieces. The cover versions became so ubiquitous that CBS started to promote him with the tag "Nobody Sings Dylan Like Dylan."

"Mixed Up Confusion", recorded during the ''Freewheelin''' sessions with a backing band, was released as a single and then quickly withdrawn. In contrast to the mostly solo acoustic performances on the album, the single showed a willingness to experiment with a rockabilly sound. Cameron Crowe described it as "a fascinating look at a folk artist with his mind wandering towards Elvis Presley and Sun Records."

Protest and ''Another Side''

In May 1963, Dylan's political profile was raised when he walked out of ''The Ed Sullivan Show''. During rehearsals, Dylan had been informed by CBS Television's "head of program practices" that the song he was planning to perform, "Talkin' John Birch Paranoid Blues", was potentially libelous to the John Birch Society. Rather than comply with the censorship, Dylan refused to appear on the program.

By this time, Dylan and Baez were both prominent in the civil rights movement, singing together at the March on Washington on August 28, 1963. Dylan's third album, ''The Times They Are a-Changin''', reflected a more politicized and cynical Dylan. The songs often took as their subject matter contemporary, real life stories, with "Only A Pawn In Their Game" addressing the murder of civil rights worker Medgar Evers; and the Brechtian "The Lonesome Death of Hattie Carroll" the death of black hotel barmaid Hattie Carroll, at the hands of young white socialite William Zantzinger. On a more general theme, "Ballad of Hollis Brown" and "North Country Blues" address the despair engendered by the breakdown of farming and mining communities. This political material was accompanied by two personal love songs, "Boots of Spanish Leather" and "One Too Many Mornings".

By the end of 1963, Dylan felt both manipulated and constrained by the folk and protest movements. These tensions were publicly displayed when, accepting the "Tom Paine Award" from the National Emergency Civil Liberties Committee shortly after the assassination of John F. Kennedy, an intoxicated Dylan brashly questioned the role of the committee, characterized the members as old and balding, and claimed to see something of himself (and of every man) in Kennedy's alleged assassin, Lee Harvey Oswald.

''Another Side of Bob Dylan'', recorded on a single June evening in 1964, had a lighter mood than its predecessor. The surreal, humorous Dylan reemerged on "I Shall Be Free #10" and "Motorpsycho Nightmare". "Spanish Harlem Incident" and "To Ramona" are romantic and passionate love songs, while "Black Crow Blues" and "I Don't Believe You (She Acts Like We Never Have Met)" suggest the rock and roll soon to dominate Dylan's music. "It Ain't Me Babe", on the surface a song about spurned love, has been described as a rejection of the role his reputation had thrust at him. His newest direction was signaled by two lengthy songs: the impressionistic "Chimes of Freedom," which sets elements of social commentary against a denser metaphorical landscape in a style later characterized by Allen Ginsberg as "chains of flashing images," and "My Back Pages," which attacks the simplistic and arch seriousness of his own earlier topical songs and seems to predict the backlash he was about to encounter from his former champions as he took a new direction.

In the latter half of 1964 and 1965, Dylan's appearance and musical style changed rapidly, as he made his move from leading contemporary songwriter of the folk scene to folk-rock pop-music star. His scruffy jeans and work shirts were replaced by a Carnaby Street wardrobe, sunglasses day or night, and pointy "Beatle boots". A London reporter wrote: "Hair that would set the teeth of a comb on edge. A loud shirt that would dim the neon lights of Leicester Square. He looks like an undernourished cockatoo." Dylan also began to spar in increasingly surreal ways with his interviewers. Appearing on the Les Crane TV show and asked about a movie he was planning to make, he told Crane it would be a cowboy horror movie. Asked if he played the cowboy, Dylan replied, "No, I play my mother."

Going electric

Dylan's April 1965 album ''Bringing It All Back Home'' was yet another stylistic leap, featuring his first recordings made with electric instruments. The first single, "Subterranean Homesick Blues", owed much to Chuck Berry's "Too Much Monkey Business"; its free association lyrics have been described as both harkening back to the manic energy of Beat poetry and as a forerunner of rap and hip-hop. The song was provided with an early music video which opened D. A. Pennebaker's cinéma vérité presentation of Dylan's 1965 tour of England, ''Dont Look Back''. Instead of miming to the recording, Dylan illustrated the lyrics by throwing cue cards containing key words from the song on the ground. Pennebaker has said the sequence was Dylan's idea, and it has been widely imitated in both music videos and advertisements.

The B side of ''Bringing It All Back Home'' consisted of four long songs on which Dylan accompanied himself on acoustic guitar and harmonica. "Mr. Tambourine Man" quickly became one of Dylan's best known songs when The Byrds recorded an electric version that reached number one in both the U.S. and the U.K. charts. "It's All Over Now Baby Blue" and "It's Alright Ma (I'm Only Bleeding)" were acclaimed as two of Dylan's most important compositions.

In the summer of 1965, as the headliner at the Newport Folk Festival, Dylan performed his first electric set since his high school days with a pickup group drawn mostly from the Paul Butterfield Blues Band, featuring Mike Bloomfield (guitar), Sam Lay (drums) and Jerome Arnold (bass), plus Al Kooper (organ) and Barry Goldberg (piano). Dylan had appeared at Newport in 1963 and 1964, but in 1965 Dylan, met with a mix of cheering and booing, left the stage after only three songs. One version of the legend has it that the boos were from the outraged folk fans whom Dylan had alienated by appearing, unexpectedly, with an electric guitar. Murray Lerner, who filmed the performance, said: "I absolutely think that they were booing Dylan going electric." An alternative account claims audience members were merely upset by poor sound quality and a surprisingly short set. This account is supported by Kooper and one of the directors of the festival, who reports his audio recording of the concert proves that the only boos were in reaction to the emcee's announcement that there was only enough time for a short set.

Nevertheless, Dylan's 1965 Newport performance provoked a hostile response from the folk music establishment. In the September issue of ''Sing Out!'', singer Ewan MacColl wrote: "Our traditional songs and ballads are the creations of extraordinarily talented artists working inside disciplines formulated over time... 'But what of Bobby Dylan?' scream the outraged teenagers... Only a completely non-critical audience, nourished on the watery pap of pop music, could have fallen for such tenth-rate drivel." On July 29, just four days after his controversial performance at Newport, Dylan was back in the studio in New York, recording "Positively 4th Street". The lyrics teemed with images of vengeance and paranoia, and it was widely interpreted as Dylan's put-down of former friends from the folk community—friends he had known in the clubs along West 4th Street.

''Highway 61 Revisited'' and ''Blonde on Blonde''

In July 1965, Dylan released the single "Like a Rolling Stone", which peaked at No.2 in the U.S. and at No.4 in the UK charts. At over six minutes, the song has been widely credited with altering attitudes about what a pop single could convey. Bruce Springsteen, in his speech during Dylan's inauguration into the Rock and Roll Hall of Fame said that on first hearing the single, "that snare shot sounded like somebody'd kicked open the door to your mind". In 2004, and again in 2011, ''Rolling Stone Magazine'' listed it as number one on its list of "The 500 Greatest Songs of All Time". The song also opened Dylan's next album, ''Highway 61 Revisited,'' titled after the road that led from Dylan's Minnesota to the musical hotbed of New Orleans. The songs were in the same vein as the hit single, flavored by Mike Bloomfield's blues guitar and Al Kooper's organ riffs. "Desolation Row" offers the sole acoustic exception, with Dylan making surreal allusions to a variety of figures in Western culture during this epic song, which was described by Andy Gill as "an 11-minute epic of entropy, which takes the form of a Fellini-esque parade of grotesques and oddities featuring a huge cast of celebrated characters, some historical (Einstein, Nero), some biblical (Noah, Cain and Abel), some fictional (Ophelia, Romeo, Cinderella), some literary (T.S. Eliot and Ezra Pound), and some who fit into none of the above categories, notably Dr. Filth and his dubious nurse."

In support of the record, Dylan was booked for two U.S. concerts and set about assembling a band. Mike Bloomfield was unwilling to leave the Butterfield Band, so Dylan mixed Al Kooper and Harvey Brooks from his studio crew with bar-band stalwarts Robbie Robertson and Levon Helm, best known at the time for being part of Ronnie Hawkins's backing band The Hawks (later to become The Band). On August 28 at Forest Hills Tennis Stadium, the group was heckled by an audience still annoyed by Dylan's electric sound. The band's reception on September 3 at the Hollywood Bowl was more favorable.

While Dylan and the Hawks met increasingly receptive audiences on tour, their studio efforts floundered. Producer Bob Johnston persuaded Dylan to record in Nashville in February 1966, and surrounded him with a cadre of top-notch session men. At Dylan's insistence, Robertson and Kooper came down from New York City to play on the sessions. The Nashville sessions produced the double-album ''Blonde on Blonde'' (1966), featuring what Dylan later called "that thin wild mercury sound". Al Kooper described the album as "taking two cultures and smashing them together with a huge explosion": the musical world of Nashville and the world of the "quintessential New York hipster" Bob Dylan.

On November 22, 1965, Dylan secretly married 25-year-old former model Sara Lownds. Some of Dylan's friends (including Ramblin' Jack Elliott) claim that, in conversation immediately after the event, Dylan denied that he was married. Journalist Nora Ephron first made the news public in the ''New York Post'' in February 1966 with the headline "Hush! Bob Dylan is wed."

Dylan undertook a world tour of Australia and Europe in the spring of 1966. Each show was split into two parts. Dylan performed solo during the first half, accompanying himself on acoustic guitar and harmonica. In the second half, backed by the Hawks, he played high voltage electric music. This contrast provoked many fans, who jeered and slow handclapped. The tour culminated in a famously raucous confrontation between Dylan and his audience at the Manchester Free Trade Hall in England on May 17, 1966. An official recording of this concert was finally released in 1998: ''The Bootleg Series Vol. 4: Bob Dylan Live 1966''. At the climax of the evening, a member of the audience, angered by Dylan's electric backing, shouted: "Judas!" to which Dylan responded, "I don't believe you ... You're a liar!" Dylan turned to his band and said, "Play it fucking loud!" as they launched into the final song of the night—"Like a Rolling Stone."

During his 1966 tour, Dylan was frequently described as exhausted and acting "as if on a death trip". D. A. Pennebaker, the film maker accompanying the tour, described Dylan as "taking a lot of amphetamine and who-knows-what-else." In a 1969 interview with Jann Wenner, Dylan said, "I was on the road for almost five years. It wore me down. I was on drugs, a lot of things... just to keep going, you know?" In 2011, BBC Radio 4 reported that, in an interview which Robert Shelton had taped in 1966, Dylan claimed that he had kicked a heroin habit in New York City: "I got very, very strung out for a while... I had about a $25-a-day habit and I kicked it." Some journalists questioned the validity of this confession, pointing out that Dylan had "been telling journalists wild lies about his past since the earliest days of his career."

Motorcycle accident and reclusion

After his European tour, Dylan returned to New York, but the pressures on him increased. ABC Television had paid an advance for a TV show they could screen. His publisher, Macmillan, was demanding a finished manuscript of the poem/novel ''Tarantula.'' Manager Albert Grossman had already scheduled an extensive concert tour for that summer and fall.

On July 29, 1966, Dylan crashed his 500cc Triumph Tiger 100 motorcycle on a road near his home in Woodstock, New York, throwing him to the ground. Though the extent of his injuries were never fully disclosed, Dylan said that he broke several vertebrae in his neck. Mystery still surrounds the circumstances of the accident since no ambulance was called to the scene and Dylan was not hospitalized. Dylan's biographers have written that the crash offered Dylan the much-needed chance to escape from the pressures that had built up around him. Dylan confirmed this interpretation of the crash when he stated in his autobiography, "I had been in a motorcycle accident and I'd been hurt, but I recovered. Truth was that I wanted to get out of the rat race." In the wake of his accident, Dylan withdrew from the public and, apart from a few select appearances, did not tour again for eight years.

Once Dylan was well enough to resume creative work, he began editing film footage of his 1966 tour for ''Eat the Document'', a rarely exhibited follow-up to ''Dont Look Back''. A rough-cut was shown to ABC Television and was promptly rejected as incomprehensible to a mainstream audience. In 1967 he began recording music with the Hawks at his home and in the basement of the Hawks' nearby house, called "Big Pink". These songs, initially compiled as demos for other artists to record, provided hit singles for Julie Driscoll ("This Wheel's on Fire"), The Byrds ("You Ain't Goin' Nowhere", "Nothing Was Delivered"), and Manfred Mann ("Mighty Quinn"). Columbia belatedly released selections from them in 1975 as ''The Basement Tapes''. Over the years, more and more of the songs recorded by Dylan and his band in 1967 appeared on various bootleg recordings, culminating in a five-CD bootleg set titled ''The Genuine Basement Tapes'', containing 107 songs and alternate takes. In the coming months, the Hawks recorded the album ''Music from Big Pink'' using songs they first worked on in their basement in Woodstock, and renamed themselves The Band, thus beginning a long and successful recording and performing career of their own.

In October and November 1967, Dylan returned to Nashville. Back in the recording studio after a 19-month break, he was accompanied only by Charlie McCoy on bass, Kenny Buttrey on drums, and Pete Drake on steel guitar. The result was ''John Wesley Harding'', a quiet, contemplative record of shorter songs, set in a landscape that drew on both the American West and the Bible. The sparse structure and instrumentation, coupled with lyrics that took the Judeo-Christian tradition seriously, marked a departure not only from Dylan's own work but from the escalating psychedelic fervor of the 1960s musical culture. It included "All Along the Watchtower", with lyrics derived from the Book of Isaiah (21:5–9). The song was later recorded by Jimi Hendrix, whose version Dylan later acknowledged as definitive. Woody Guthrie died on October 3, 1967, and Dylan made his first live appearance in twenty months at a Guthrie memorial concert held at Carnegie Hall on January 20, 1968, where he was backed by The Band.

Dylan's next release, ''Nashville Skyline'' (1969), was virtually a mainstream country record featuring instrumental backing by Nashville musicians, a mellow-voiced Dylan, a duet with Johnny Cash, and the hit single "Lay Lady Lay." Dylan and Cash also recorded a series of duets, including Dylan's "One Too Many Mornings," but they were not used on the album.

In May 1969, Dylan appeared on the first episode of Johnny Cash's new television show, duetting with Cash on "Girl from the North Country", "I Threw It All Away" and "Living the Blues". Dylan next travelled to England to top the bill at the Isle of Wight rock festival on August 31, 1969, after rejecting overtures to appear at the Woodstock Festival far closer to his home.

1970s

In the early 1970s, critics charged that Dylan's output was of varied and unpredictable quality. ''Rolling Stone'' magazine writer and Dylan loyalist Greil Marcus notoriously asked "What is this shit?" upon first listening to 1970's ''Self Portrait''. In general, ''Self Portrait'', a double LP including few original songs, was poorly received. Later that year, Dylan released ''New Morning'', which some considered a return to form. In November 1968, Dylan had co-written "I'd Have You Anytime" with George Harrison; Harrison recorded both "I'd Have You Anytime" and Dylan's "If Not For You" for his 1970 solo triple album ''All Things Must Pass''. Dylan's surprise appearance at Harrison's 1971 ''Concert for Bangladesh'' attracted much media coverage, reflecting that Dylan's live appearances had become rare.

Between March 16 and 19, 1971, Dylan reserved three days at Blue Rock Studios, a small studio in New York's Greenwich Village. These sessions resulted in one single, "Watching The River Flow", and a new recording of "When I Paint My Masterpiece". On November 4, 1971 Dylan recorded "George Jackson," which he released a week later. For many, the single was a surprising return to protest material, mourning the killing of Black Panther George Jackson in San Quentin Prison that summer. Dylan contributed piano and hamony vocals to Steve Goodman's album, ''Somebody Else's Troubles'', under the pseudonym Robert Milkwood Thomas in September 1972.

In 1972, Dylan signed onto Sam Peckinpah's film ''Pat Garrett and Billy the Kid'', providing songs and backing music for the movie, and playing the role of "Alias," a member of Billy's gang with some historical basis. Despite the film's failure at the box office, the song "Knockin' on Heaven's Door" has proven its durability as one of Dylan's most extensively covered songs.

Return to touring

Dylan began 1973 by signing with a new record label, David Geffen's Asylum Records, when his contract with Columbia Records expired. On his next album, ''Planet Waves'', he used The Band as backing group, while rehearsing for a major tour. The album included two versions of "Forever Young," which became one of his most popular songs. As one critic described it, the song projected "something hymnal and heartfelt that spoke of the father in Dylan", and Dylan himself commented: "I wrote it thinking about one of my boys and not wanting to be too sentimental." Biographer Howard Sounes noted that Jakob Dylan believed the song was about him.

Columbia Records simultaneously released ''Dylan'', a haphazard collection of studio outtakes (almost exclusively cover songs), which was widely interpreted as a churlish response to Dylan's signing with a rival record label. In January 1974, Dylan returned to live touring after a break of seven years; backed by The Band, he embarked on a high-profile, coast-to-coast North American tour, playing 40 concerts. A live double album of the tour, ''Before the Flood'', was released on Asylum Records. Soon, Columbia Records sent word that they "will spare nothing to bring Dylan back into the fold". Dylan had second thoughts about Asylum, apparently miffed that while there had been millions of unfulfilled ticket requests for the 1974 tour, Geffen had managed to sell only 700,000 copies of ''Planet Waves''. Dylan returned to Columbia Records, which subsequently reissued his two Asylum albums on their imprint.

After the tour, Dylan and his wife became publicly estranged. He filled a small red notebook with songs about relationships and ruptures, and quickly recorded a new album entitled ''Blood on the Tracks'' in September 1974. Dylan delayed the album's release, however, and re-recorded half of the songs at Sound 80 Studios in Minneapolis with production assistance from his brother David Zimmerman.

Released in early 1975, ''Blood on the Tracks'' received mixed reviews. In the ''NME'', Nick Kent described "the accompaniments [as] often so trashy they sound like mere practice takes." In ''Rolling Stone'', reviewer Jon Landau wrote that "the record has been made with typical shoddiness." However, over the years critics have come to see it as one of Dylan's greatest achievements, perhaps the only serious rival to his mid-60s trilogy of albums. In Salon.com, Bill Wyman wrote: "''Blood on the Tracks'' is his only flawless album and his best produced; the songs, each of them, are constructed in disciplined fashion. It is his kindest album and most dismayed, and seems in hindsight to have achieved a sublime balance between the logorrhea-plagued excesses of his mid-'60s output and the self-consciously simple compositions of his post-accident years." Novelist Rick Moody called it "the truest, most honest account of a love affair from tip to stern ever put down on magnetic tape."

That summer Dylan wrote a lengthy ballad championing the cause of boxer Rubin "Hurricane" Carter, who had been imprisoned for a triple murder committed in Paterson, New Jersey, in 1966. After visiting Carter in jail, Dylan wrote "Hurricane", presenting the case for Carter's innocence. Despite its 8:32 minute length, the song was released as a single, peaking at No.33 on the U.S. Billboard Chart, and performed at every 1975 date of Dylan's next tour, the Rolling Thunder Revue, named after the Shoshone medicine man, shaman, teacher, and activist Rolling Thunder. The tour was a varied evening of entertainment featuring about one hundred performers and supporters drawn from the resurgent Greenwich Village folk scene, including T-Bone Burnett, Ramblin' Jack Elliott, Joni Mitchell, David Mansfield, Roger McGuinn, Mick Ronson, Joan Baez, and violinist Scarlet Rivera, whom Dylan discovered while she was walking down the street, her violin case hanging on her back. Allen Ginsberg accompanied the troupe, staging scenes for the film Dylan was simultaneously shooting. Sam Shepard was initially hired to write the film's screenplay, but ended up accompanying the tour as informal chronicler.

Running through late 1975 and again through early 1976, the tour encompassed the release of the album ''Desire'', with many of Dylan's new songs featuring an almost travelogue-like narrative style, showing the influence of his new collaborator, playwright Jacques Levy. The spring 1976 half of the tour was documented by a TV concert special, ''Hard Rain'', and the LP ''Hard Rain''; no concert album from the better-received and better-known opening half of the tour was released until 2002's ''Live 1975''.

The fall 1975 tour with the Revue also provided the backdrop to Dylan's nearly four-hour film ''Renaldo and Clara'', a sprawling and improvised narrative, mixed with concert footage and reminiscences. Released in 1978, the movie received generally poor, sometimes scathing, reviews and had a very brief theatrical run. Later in that year, Dylan allowed a two-hour edit, dominated by the concert performances, to be more widely released.

In November 1976, Dylan appeared at The Band's "farewell" concert, along with other guests including Joni Mitchell, Muddy Waters, Van Morrison and Neil Young. Martin Scorsese's acclaimed cinematic chronicle of this show, ''The Last Waltz,'' was released in 1978 and included about half of Dylan's set. In 1976, Dylan also wrote and duetted on the song "Sign Language" for Eric Clapton's ''No Reason To Cry''.

In 1978, Dylan embarked on a year-long world tour, performing 114 shows in Japan, the Far East, Europe and the US, to a total audience of two million people. For the tour, Dylan assembled an eight piece band, and was also accompanied by three backing singers. Concerts in Tokyo in February and March were recorded and released as the live double album, ''Bob Dylan At Budokan''. Reviews were mixed. Robert Christgau awarded the album a C+ rating, giving the album a derisory review, while Janet Maslin defended it in ''Rolling Stone'', writing: "These latest live versions of his old songs have the effect of liberating Bob Dylan from the originals." When Dylan brought the tour to the US in September 1978, he was dismayed the press described the look and sound of the show as a 'Las Vegas Tour'. The 1978 tour grossed more than $20 million, and Dylan acknowledged to the ''Los Angeles Times'' that he had some debts to pay off because "I had a couple of bad years. I put a lot of money into the movie, built a big house ... and it costs a lot to get divorced in California."

In April and May 1978, Dylan went into the studio in Santa Monica, California, to record an album of new material with the same large band and backing vocalists: ''Street-Legal''. It was described by Michael Gray as, "after ''Blood On The Tracks'', arguably Dylan's best record of the 1970s: a crucial album documenting a crucial period in Dylan's own life". However, it suffered from poor sound recording and mixing (attributed to Dylan's studio practices), muddying the instrumental detail until a remastered CD release in 1999 restored some of the songs' strengths.

Born-again period

In the late 1970s, Dylan became a born-again Christian and released two albums of Christian gospel music. ''Slow Train Coming'' (1979) featured the guitar accompaniment of Mark Knopfler (of Dire Straits) and was produced by veteran R&B producer, Jerry Wexler. Wexler recalled that when Dylan had tried to evangelize him during the recording, he replied: "Bob, you're dealing with a sixty-two-year old Jewish atheist. Let's just make an album." The album won Dylan a Grammy Award as "Best Male Vocalist" for the song "Gotta Serve Somebody". The second evangelical album, ''Saved'' (1980), received mixed reviews, and was described by Dylan critic Michael Gray as "the nearest thing to a follow-up album Dylan has ever made, ''Slow Train Coming II'' and inferior." When touring from the fall of 1979 through the spring of 1980, Dylan would not play any of his older, secular works, and he delivered declarations of his faith from the stage, such as:

Dylan's embrace of Christianity was unpopular with some of his fans and fellow musicians. Shortly before his murder, John Lennon recorded "Serve Yourself" in response to Dylan's "Gotta Serve Somebody". By 1981, while Dylan's Christian faith was obvious, Stephen Holden wrote in the ''New York Times'' that "neither age (he's now 40) nor his much-publicized conversion to born-again Christianity has altered his essentially iconoclastic temperament."

1980s

In the fall of 1980 Dylan briefly resumed touring for a series of concerts billed as "A Musical Retrospective", where he restored several of his popular 1960s songs to the repertoire. ''Shot of Love'', recorded the next spring, featured Dylan's first secular compositions in more than two years, mixed with explicitly Christian songs; the song "Every Grain of Sand" reminded some critics of William Blake's verses.

In the 1980s the quality of Dylan's recorded work varied, from the well-regarded ''Infidels'' in 1983 to the panned ''Down in the Groove'' in 1988. Critics such as Michael Gray condemned Dylan's 1980s albums both for showing an extraordinary carelessness in the studio and for failing to release his best songs. The ''Infidels'' recording sessions, for example, produced several notable songs that Dylan left off the album. Most well regarded of these were "Blind Willie McTell", a tribute to the dead blues musician and an evocation of African American history, "Foot of Pride" and "Lord Protect My Child". These three songs were later released on ''The Bootleg Series Volumes 1–3 (Rare & Unreleased) 1961–1991''.

Between July 1984 and March 1985, Dylan recorded his next studio album, ''Empire Burlesque''. Arthur Baker, who had remixed hits for Bruce Springsteen and Cyndi Lauper, was asked to engineer and mix the album. Baker has said he felt he was hired to make Dylan's album sound "a little bit more contemporary".

Dylan sang on USA for Africa's famine relief fundraising single "We Are the World". On July 13, 1985, he appeared at the climax at the Live Aid concert at JFK Stadium, Philadelphia. Backed by Keith Richards and Ronnie Wood, Dylan performed a ragged version of "Hollis Brown", his ballad of rural poverty, and then said to the worldwide audience exceeding one billion people: "I hope that some of the money ... maybe they can just take a little bit of it, maybe ... one or two million, maybe ... and use it to pay the mortgages on some of the farms and, the farmers here, owe to the banks." His remarks were widely criticized as inappropriate, but they did inspire Willie Nelson to organize a series of events, Farm Aid, to benefit debt-ridden American farmers.

In April 1986, Dylan made a brief foray into the world of rap music when he added vocals to the opening verse of "Street Rock", a song featured on Kurtis Blow's album ''Kingdom Blow''. Dylan's next studio album, ''Knocked Out Loaded'', was released in July 1986 and contained three cover songs (by Little Junior Parker, Kris Kristofferson and the traditional gospel hymn "Precious Memories"), plus three collaborations with other writers (Tom Petty, Sam Shepard and Carole Bayer Sager), and two solo compositions by Dylan. One reviewer commented that "the record follows too many detours to be consistently compelling, and some of those detours wind down roads that are indisputably dead ends. By 1986, such uneven records weren't entirely unexpected by Dylan, but that didn't make them any less frustrating." It was the first Dylan album since ''Freewheelin''' (1963) to fail to make the Top 50. Since then, some critics have called the 11-minute epic that Dylan co-wrote with Sam Shepard, 'Brownsville Girl', a work of genius.

In 1986 and 1987, Dylan toured extensively with Tom Petty and the Heartbreakers, sharing vocals with Petty on several songs each night. Dylan also toured with The Grateful Dead in 1987, resulting in a live album ''Dylan & The Dead''. This album received some very negative reviews: ''Allmusic'' said, "Quite possibly the worst album by either Bob Dylan or the Grateful Dead." After performing with these musical permutations, Dylan initiated what came to be called The Never Ending Tour on June 7, 1988, performing with a tight back-up band featuring guitarist G. E. Smith. Dylan continued to tour with this small but constantly evolving band for the next 20 years.

In 1987, Dylan starred in Richard Marquand's movie ''Hearts of Fire'', in which he played Billy Parker, a washed-up-rock-star-turned-chicken farmer whose teenage lover (Fiona) leaves him for a jaded English synth-pop sensation (played by Rupert Everett). Dylan also contributed two original songs to the soundtrack—"Night After Night", and "I Had a Dream About You, Baby", as well as a cover of John Hiatt's "The Usual". The film was a critical and commercial flop. Dylan was inducted into the Rock and Roll Hall of Fame in January 1988, with Bruce Springsteen's introductory speech declaring, "Bob freed your mind the way Elvis freed your body. He showed us that just because music was innately physical did not mean that it was anti-intellectual.

When Dylan released the album ''Down in the Groove'' in May 1988, it was even more unsuccessful in its sales than his previous studio album. Michael Gray wrote: "The very title undercuts any idea that inspired work may lie within. Here was a further devaluing of the notion of a new Bob Dylan album as something significant." The critical and commercial disappointment of that album was swiftly followed by the success of the Traveling Wilburys. Dylan co-founded the band with George Harrison, Jeff Lynne, Roy Orbison, and Tom Petty, and in the fall of 1988 their multi-platinum ''Traveling Wilburys Vol. 1'' reached number three on the US album chart, featuring songs that were described as Dylan's most accessible compositions in years. Despite Orbison's death in December 1988, the remaining four recorded a second album in May 1990, which they released with the unexpected title ''Traveling Wilburys Vol. 3''.

Dylan finished the decade on a critical high note with ''Oh Mercy'' produced by Daniel Lanois. Dylan critic Michael Gray wrote that the album was: "Attentively written, vocally distinctive, musically warm, and uncompromisingly professional, this cohesive whole is the nearest thing to a great Bob Dylan album in the 1980s." The track "Most of the Time", a lost love composition, was later prominently featured in the film ''High Fidelity'', while "What Was It You Wanted?" has been interpreted both as a catechism and a wry comment on the expectations of critics and fans. The religious imagery of "Ring Them Bells" struck some critics as a re-affirmation of faith.

1990s

Dylan's 1990s began with ''Under the Red Sky'' (1990), an about-face from the serious ''Oh Mercy''. The album contained several apparently simple songs, including "Under the Red Sky" and "Wiggle Wiggle". The album was dedicated to "Gabby Goo Goo"; this was later explained as a nickname for the daughter of Dylan and Carolyn Dennis, Desiree Gabrielle Dennis-Dylan, who was four at that time. Sidemen on the album included George Harrison, Slash from Guns N' Roses, David Crosby, Bruce Hornsby, Stevie Ray Vaughan, and Elton John. Despite the stellar line-up, the record received bad reviews and sold poorly.

In 1991, Dylan was honored by the recording industry with a Grammy Lifetime Achievement Award from American actor Jack Nicholson. The event coincided with the start of the Gulf War against Saddam Hussein, and Dylan performed his song "Masters of War". Dylan then made a short speech that startled some of the audience.

The next few years saw Dylan returning to his roots with two albums covering old folk and blues numbers: ''Good as I Been to You'' (1992) and ''World Gone Wrong'' (1993), featuring interpretations and acoustic guitar work. Many critics and fans commented on the quiet beauty of the song "Lone Pilgrim", penned by a 19th century teacher and sung by Dylan with a haunting reverence. In November 1994 Dylan recorded two live shows for ''MTV Unplugged''. He claimed his wish to perform a set of traditional songs for the show was overruled by Sony executives who insisted on a greatest hits package. The album produced from it, ''MTV Unplugged'', included "John Brown", an unreleased 1963 song detailing the ravages of both war and jingoism.

With a collection of songs reportedly written while snowed-in on his Minnesota ranch, Dylan booked recording time with Daniel Lanois at Miami's Criteria Studios in January 1997. The subsequent recording sessions were, by some accounts, fraught with musical tension. Late that spring, before the album's release, Dylan was hospitalized with a life-threatening heart infection, pericarditis, brought on by histoplasmosis. His scheduled European tour was cancelled, but Dylan made a speedy recovery and left the hospital saying, "I really thought I'd be seeing Elvis soon." He was back on the road by midsummer, and in early fall performed before Pope John Paul II at the World Eucharistic Conference in Bologna, Italy. The Pope treated the audience of 200,000 people to a homily based on Dylan's lyric "Blowin' in the Wind".

September saw the release of the new Lanois-produced album, ''Time Out of Mind''. With its bitter assessment of love and morbid ruminations, Dylan's first collection of original songs in seven years was highly acclaimed. One critic wrote: "the songs themselves are uniformly powerful, adding up to Dylan's best overall collection in years." This collection of complex songs won him his first solo "Album of the Year" Grammy Award.

In December 1997, U.S. President Bill Clinton presented Dylan with a Kennedy Center Honor in the East Room of the White House, paying this tribute: "He probably had more impact on people of my generation than any other creative artist. His voice and lyrics haven't always been easy on the ear, but throughout his career Bob Dylan has never aimed to please. He's disturbed the peace and discomforted the powerful."

2000s

Dylan commenced the new millennium by winning his first Oscar; his song "Things Have Changed", penned for the film ''Wonder Boys'', won an Academy Award in March 2001. The Oscar (by some reports a facsimile) tours with him, presiding over shows perched atop an amplifier.

''"Love and Theft"'' was released on September 11, 2001. Recorded with his touring band, Dylan produced the album himself under the pseudonym Jack Frost. The album was critically well-received and earned nominations for several Grammy awards. Critics noted that Dylan was widening his musical palette to include rockabilly, Western swing, jazz, and even lounge ballads.

In 2003, Dylan revisited the evangelical songs from his "born again" period and participated in the CD project ''Gotta Serve Somebody: The Gospel Songs of Bob Dylan''. That year also saw the release of the film ''Masked & Anonymous'', which Dylan co-wrote with director Larry Charles under the alias Sergei Petrov. Dylan played the central character in the film, Jack Fate, alongside a cast which included Jeff Bridges, Penelope Cruz and John Goodman. The film polarised critics: many dismissed it as an "incoherent mess"; a few treated it as a serious work of art.

In October 2004, Dylan published the first part of his autobiography, ''Chronicles: Volume One''. The book confounded expectations. Dylan devoted three chapters to his first year in New York City in 1961–1962, virtually ignoring the mid-'60s when his fame was at its height. He also devoted chapters to the albums ''New Morning'' (1970) and ''Oh Mercy'' (1989). The book reached number two on ''The New York Times''' Hardcover Non-Fiction best seller list in December 2004 and was nominated for a National Book Award.

Martin Scorsese's acclaimed film biography ''No Direction Home'' was broadcast in September 2005. It was shown on September 26–27, 2005, on BBC Two in the UK and PBS in the US. The documentary focuses on the period from Dylan's arrival in New York in 1961 to his motorcycle crash in 1966, featuring interviews with Suze Rotolo, Liam Clancy, Joan Baez, Allen Ginsberg, Pete Seeger, Mavis Staples, and Dylan himself. The film received a Peabody Award in April 2006 and a Columbia-duPont Award in January 2007. The accompanying soundtrack featured unreleased songs from Dylan's early career.

Dylan earned yet another distinction in a 2007 study of US legal opinions and briefs that found his lyrics were quoted by judges and lawyers more than those of any other songwriter, 186 times versus 74 by The Beatles, who were second. Among those quoting Dylan were US Supreme Court Chief Justice John Roberts and Justice Antonin Scalia, both conservatives. The most widely cited lines included "you don't need a weatherman to know which way the wind blows" from "Subterranean Homesick Blues" and "when you ain't got nothing, you got nothing to lose" from "Like a Rolling Stone".

''Modern Times'' (2006–08)

May 3, 2006, was the premiere of Dylan's DJ career, hosting a weekly radio program, ''Theme Time Radio Hour'', for XM Satellite Radio, with song selections revolving around a chosen theme. Dylan played classic and obscure records from the 1930s to the present day, including contemporary artists as diverse as Blur, Prince, L.L. Cool J and The Streets. The show was praised by fans and critics as "great radio," as Dylan told stories and made eclectic references with his sardonic humor, while achieving a thematic beauty with his musical choices. In April 2009, Dylan broadcast the 100th show in his radio series; the theme was "Goodbye" and the final record played was Woody Guthrie's "So Long, It's Been Good To Know Yuh". This has led to speculation that Dylan's radio series may have ended.

On August 29, 2006, Dylan released his ''Modern Times'' album. Despite some coarsening of Dylan's voice (a critic for ''The Guardian'' characterised his singing on the album as "a catarrhal death rattle") most reviewers praised the album, and many described it as the final installment of a successful trilogy, embracing ''Time Out of Mind'' and ''"Love and Theft"''. ''Modern Times'' entered the U.S. charts at number one, making it Dylan's first album to reach that position since 1976's ''Desire''.

Nominated for three Grammy Awards, ''Modern Times'' won Best Contemporary Folk/Americana Album and Bob Dylan also won Best Solo Rock Vocal Performance for "Someday Baby". ''Modern Times'' was named Album of the Year, 2006, by ''Rolling Stone'' magazine, and by ''Uncut'' in the UK. On the same day that ''Modern Times'' was released the iTunes Music Store released ''Bob Dylan: The Collection'', a digital box set containing all of his albums (773 tracks in total), along with 42 rare and unreleased tracks.

In August 2007, the award-winning film biography of Dylan ''I'm Not There'', written and directed by Todd Haynes, was released—bearing the tagline "inspired by the music and many lives of Bob Dylan". The movie uses six distinct characters to represent different aspects of Dylan's life, played by Christian Bale, Cate Blanchett, Marcus Carl Franklin, Richard Gere, Heath Ledger and Ben Whishaw. Dylan's previously unreleased 1967 recording from which the film takes its name was released for the first time on the film's original soundtrack; all other tracks are covers of Dylan songs, specially recorded for the movie by a diverse range of artists, including Eddie Vedder, Mason Jennings, Stephen Malkmus, Jeff Tweedy, Karen O, Willie Nelson, Cat Power, Richie Havens, and Tom Verlaine.

On October 1, 2007, Columbia Records released the triple CD retrospective album ''Dylan'', anthologising his entire career under the ''Dylan 07'' logo. As part of this campaign, Mark Ronson produced a re-mix of Dylan's 1966 tune "Most Likely You Go Your Way (And I'll Go Mine)," which was released as a maxi-single. This was the first time Dylan had sanctioned a re-mix of one of his classic recordings.

The sophistication of the ''Dylan 07'' marketing campaign was a reminder that Dylan's commercial profile had risen considerably since the 1990s. This first became evidenced in 2004, when Dylan appeared in a TV advertisement for Victoria's Secret lingerie. Three years later, in October 2007, he participated in a multi-media campaign for the 2008 Cadillac Escalade. Then, in 2009, he gave the highest profile endorsement of his career, appearing with rapper Will.i.am in a Pepsi ad that debuted during the telecast of Super Bowl XLIII. The ad, broadcast to a record audience of 98 million viewers, opened with Dylan singing the first verse of "Forever Young" followed by Will.i.am doing a hip hop version of the song's third and final verse.

In October 2008, Columbia released Volume 8 of Dylan's ''Bootleg Series'', ''Tell Tale Signs: Rare And Unreleased 1989–2006'' as both a two-CD set and a three-CD version with a 150-page hardcover book. The set contains live performances and outtakes from selected studio albums from ''Oh Mercy'' to ''Modern Times'', as well as soundtrack contributions and collaborations with David Bromberg and Ralph Stanley. The pricing of the album—the two-CD set went on sale for $18.99 and the three-CD version for $129.99—led to complaints about "rip-off packaging" from some fans and commentators. The release was widely acclaimed by critics. The plethora of alternative takes and unreleased material suggested to ''Uncut'''s reviewer: "''Tell Tale Signs'' is awash with evidence of (Dylan's) staggering mercuriality, his evident determination even in the studio to repeat himself as little as possible."

''Together Through Life'', ''Christmas in the Heart'' (2009)

Bob Dylan released his album ''Together Through Life'' on April 28, 2009. In a conversation with music journalist Bill Flanagan, published on Dylan's website, Dylan explained that the genesis of the record was when French film director Olivier Dahan asked him to supply a song for his new road movie, ''My Own Love Song''; initially only intending to record a single track, "Life Is Hard," "the record sort of took its own direction". Nine of the ten songs on the album are credited as co-written by Bob Dylan and Robert Hunter.

The album received largely favorable reviews, although several critics described it as a minor addition to Dylan's canon of work. Andy Gill wrote in ''The Independent'' that the record "features Dylan in fairly relaxed, spontaneous mood, content to grab such grooves and sentiments as flit momentarily across his radar. So while it may not contain too many landmark tracks, it's one of the most naturally enjoyable albums you'll hear all year."

In its first week of release, the album reached number one in the Billboard 200 chart in the U.S., making Bob Dylan (67 years of age) the oldest artist to ever debut at number one on that chart.

On October 13, 2009, Dylan released a Christmas album, ''Christmas in the Heart'', comprising such Christmas standards as "Little Drummer Boy", "Winter Wonderland" and "Here Comes Santa Claus". Dylan's royalties from the sale of this album will benefit the charities Feeding America in the USA, Crisis in the UK, and the World Food Programme.

The album received generally favorable reviews. ''The New Yorker'' commented that Dylan had welded a pre-rock musical sound to "some of his croakiest vocals in a while", and speculated that Dylan's intentions might be ironic: "Dylan has a long and highly publicized history with Christianity; to claim there's not a wink in the childish optimism of 'Here Comes Santa Claus' or 'Winter Wonderland' is to ignore a half-century of biting satire." In ''USA Today'', Edna Gundersen pointed out that Dylan was "revisiting yuletide styles popularized by Nat King Cole, Mel Tormé, and the Ray Conniff Singers." Gundersen concluded that Dylan "couldn't sound more sentimental or sincere".

In an interview published by Street News Service, journalist Bill Flanagan asked Dylan why he had performed the songs in a straightforward style, and Dylan responded: "There wasn't any other way to play it. These songs are part of my life, just like folk songs. You have to play them straight too."

2010s

On October 18, 2010, Dylan released Volume 9 of his Bootleg Series, ''The Witmark Demos''. This comprised 47 demo recordings of songs taped between 1962 and 1964 for Dylan's earliest music publishers: Leeds Music in 1962, and Witmark Music from 1962 to 1964. One reviewer described the set as "a kind of alternate early history of Dylan's songwriting process, 'writing five new songs before breakfast,' as he once famously quipped". The critical aggregator website Metacritic awarded the album a Metascore of 86, indicating "universal acclaim". In the same week, Sony Legacy released ''Bob Dylan: The Original Mono Recordings'', a box set which for the first time presented Dylan's eight earliest albums, from ''Bob Dylan'' (1962) to ''John Wesley Harding'' (1967), in their original mono mix in the CD format, accompanied by new liner notes by Dylan critic Greil Marcus.

On April 12, 2011, Legacy Recordings released ''Bob Dylan in Concert – Brandeis University 1963'' . The recording was taped at Brandeis University on May 10, 1963, two weeks prior to the release of ''The Freewheelin' Bob Dylan''. The tape had been discovered in the archive of music writer Ralph J. Gleason, and had previously been available as a limited edition supplement to ''The Bootleg Series Vol. 9''. The recording carries liner notes by Dylan scholar Michael Gray. Gray writes, "(The) Dylan performance it captured, from way back when Kennedy was President and the Beatles hadn't yet reached America, wasn't even on fans' radar.... It reveals him not at any Big Moment but giving a performance like his folk club sets of the period... This is the last live performance we have of Bob Dylan before he becomes a star."

The extent to which his work was studied at an academic level was demonstrated on Dylan's 70th birthday on May 24, 2011, when three universities organised symposia on his work. The University of Mainz, the University of Vienna, and the University of Bristol invited literary critics and cultural historians from Europe and the US to give papers on aspects of Dylan's work. Other events, including tribute bands, intellectual debates and simple singalongs, took place around the world, as reported in ''The Guardian'': "From Moscow to Madrid, Norway to Northampton and Malaysia to his home state of Minnesota, self-confessed "Bobcats" will gather today to celebrate the 70th birthday of a giant of popular music."

In August 2011, Dylan's label, Egyptian Records, announced that an album of previously unheard Hank Williams songs, ''The Lost Notebooks of Hank Williams'', would be released in October. Dylan had helped to curate this project, in which songs unfinished when Williams died in 1953 were completed and recorded by a variety of artists, including Dylan himself, his son Jakob Dylan, Levon Helm, Norah Jones, Jack White, and others.

Never Ending Tour

The Never Ending Tour commenced on June 7, 1988, and Dylan has played roughly 100 dates a year for the entirety of the 1990s and the first decade of the 21st century—a heavier schedule than most performers who started out in the 1960s. By the end of 2010, Dylan and his band had played more than 2300 shows, anchored by long-time bassist Tony Garnier, multi-instrumentalist Donnie Herron and guitarist Charlie Sexton. To the dismay of some of his audience, Dylan's performances remain unpredictable as he alters his arrangements and changes his vocal approach night after night. Critical opinion about Dylan's shows remains divided. Critics such as Richard Williams and Andy Gill have argued that Dylan has found a successful way to present his rich legacy of material. Others have criticised his vocal style as a "one-dimensional growl with which he chews up, mangles and spits out the greatest lyrics ever written so that they are effectively unrecognisable", and his lack of interest in bonding with his audience.

Dylan's performances in China in April 2011 generated controversy. Some criticised him for not making any explicit comment on the political situation in China, and for, allegedly, allowing the Chinese authorities to censor his set-list. Others defended Dylan's performances, arguing that such criticism represented a misunderstanding of Dylan's art, and that no evidence for the censorship of Dylan's set-list existed.

Dylan responded to these allegations of censorship by posting a statement on his website: "As far as censorship goes, the Chinese government had asked for the names of the songs that I would be playing. There's no logical answer to that, so we sent them the set lists from the previous 3 months. If there were any songs, verses or lines censored, nobody ever told me about it and we played all the songs that we intended to play."

In April 2011, Dylan performed concerts in Taiwan, China, Vietnam and Australia. Dylan's website has published details of Dylan's 2011 tour of Europe, Israel and the US from June to August, commencing in Cork, Ireland, and concluding in Bangor, Maine.

Artist

Over a decade after Random House had published ''Drawn Blank'' (1994), a book of Dylan's drawings, an exhibit of his art, ''The Drawn Blank Series'', opened in October 2007 at the Kunstsammlungen in Chemnitz, Germany. This first public exhibition of Dylan's paintings showcased more than 200 watercolors and gouaches made earlier in 2007 from the original drawings. The exhibition coincided with the publication of the book ''Bob Dylan: The Drawn Blank Series'', which includes 170 reproductions from the series.

From September 2010 until April 2011, the National Gallery of Denmark exhibited 40 large-scale acrylic paintings by Dylan, ''The Brazil Series''. In July 2011, a leading contemporary art gallery, Gagosian Gallery, announced their representation of Dylan's paintings. The Gagosian Gallery has announced an exhibition of Dylan's art, ''The Asia Series'', will take place at their Madison Avenue Gallery in September-October 2011.

Discography

Awards

Personal life

Family

Dylan married Sara Lownds on November 22, 1965. Their first child, Jesse Byron Dylan, was born on January 6, 1966, and they had three more children: Anna Lea, Samuel Isaac Abraham, and Jakob Luke (born December 9, 1969). Dylan also adopted Sara's daughter from a prior marriage, Maria Lownds (later Dylan, born October 21, 1961). Maria married musician Peter Himmelman, an Orthodox Jew, in 1988. In the 1990s, Dylan's son Jakob became well known as the lead singer of the band The Wallflowers. Jesse Dylan is a film director and a successful businessman. Bob and Sara Dylan were divorced on June 29, 1977.

In June 1986, Dylan married his longtime backup singer Carolyn Dennis (often professionally known as Carol Dennis). Their daughter, Desiree Gabrielle Dennis-Dylan, was born on January 31, 1986. The couple divorced in October 1992. Their marriage and child remained a closely guarded secret until the publication of Howard Sounes' Dylan biography, ''Down the Highway: The Life Of Bob Dylan'' in 2001. Dylan now lives in Malibu, California, when not on the road.

Religious beliefs

Growing up in Hibbing, Minnesota, Dylan and his family were part of the area's small but close-knit Jewish community, and in May 1954 Dylan had his Bar Mitzvah. Around the time of his 30th birthday, in 1971, Dylan visited Israel, and also met Rabbi Meir Kahane, founder of the New York-based Jewish Defense League. Time Magazine quoted Dylan saying about Kahane, "He's a really sincere guy. He's really put it all together." Subsequently, Dylan downplayed the extent of his contact with Kahane.

For a period during the late 1970s and early 1980s, Dylan was a public convert to Christianity. From January to April 1979, he participated in Bible study classes at the Vineyard School of Discipleship in Reseda, California. Pastor Kenn Gulliksen has recalled: "Larry Myers and Paul Emond went over to Bob's house and ministered to him. He responded by saying, 'Yes he did in fact want Christ in his life.' And he prayed that day and received the Lord."

By 1984, Dylan was deliberately distancing himself from the "born-again" label. He told Kurt Loder of ''Rolling Stone'' magazine: "I've never said I'm born again. That's just a media term. I don't think I've been an agnostic. I've always thought there's a superior power, that this is not the real world and that there's a world to come." In response to Loder's asking whether he belonged to any Church or synagogue, Dylan laughingly replied, "Not really. Uh, the Church of the Poison Mind." In 1997 he told David Gates of ''Newsweek'':

In an interview published in ''The New York Times'' on September 28, 1997, journalist Jon Pareles reported that "Dylan says he now subscribes to no organized religion."

Dylan has been described, in the last 20 years, as a supporter of the Chabad Lubavitch movement and has privately participated in Jewish religious events, including the bar mitzvahs of his sons and attending Hadar Hatorah, a Chabad Lubavitch yeshiva. In September 1989 and September 1991, Dylan appeared on the Chabad telethon. Jewish news services have reported that Dylan has visited Chabad synagogues; on September 22, 2007 (Yom Kippur), he attended Congregation Beth Tefillah, in Atlanta, Georgia, where he was called to the Torah for the sixth aliyah.

Dylan has continued to perform songs from his gospel albums in concert, occasionally covering traditional religious songs. He has also made passing references to his religious faith—such as in a 2004 interview with ''60 Minutes'', when he told Ed Bradley that "the only person you have to think twice about lying to is either yourself or to God." He also explained his constant touring schedule as part of a bargain he made a long time ago with the "chief commander—in this earth and in the world we can't see."

In a 2009 interview with Bill Flanagan promoting his Christmas LP, ''Christmas in the Heart'', Flanagan commented on the "heroic performance" Dylan gave of "O Little Town of Bethlehem" and that Dylan "delivered the song like a true believer". Dylan replied: "Well, I am a true believer."

Legacy

Bob Dylan is one of the most influential figures of the 20th century, musically and culturally. Dylan was included in the Time 100: The Most Important People of the Century where he was called "master poet, caustic social critic and intrepid, guiding spirit of the counterculture generation". Biographer Howard Sounes placed him among the most exalted company when he said, "There are giant figures in art who are sublimely good—Mozart, Picasso, Frank Lloyd Wright, Shakespeare, Dickens. Dylan ranks alongside these artists."

Initially modeling his writing style on the songs of Woody Guthrie, and lessons learned from the blues of Robert Johnson, Dylan added increasingly sophisticated lyrical techniques to the folk music of the early 60s, infusing it "with the intellectualism of classic literature and poetry". Paul Simon suggested that Dylan's early compositions virtually took over the folk genre: "[Dylan's] early songs were very rich ... with strong melodies. 'Blowin' in the Wind' has a really strong melody. He so enlarged himself through the folk background that he incorporated it for a while. He defined the genre for a while."

When Dylan made his move from acoustic music to a rock backing, the mix became more complex. For many critics, Dylan's greatest achievement was the cultural synthesis exemplified by his mid-'60s trilogy of albums—''Bringing It All Back Home'', ''Highway 61 Revisited'' and ''Blonde on Blonde''. In Mike Marqusee's words: "Between late 1964 and the summer of 1966, Dylan created a body of work that remains unique. Drawing on folk, blues, country, R&B, rock'n'roll, gospel, British beat, symbolist, modernist and Beat poetry, surrealism and Dada, advertising jargon and social commentary, Fellini and ''Mad'' magazine, he forged a coherent and original artistic voice and vision. The beauty of these albums retains the power to shock and console."

One legacy of Dylan's verbal sophistication was the increasing attention paid by literary critics to his lyrics. Professor Christopher Ricks published a 500-page analysis of Dylan's work, placing him in the context of Eliot, Keats and Tennyson, and claiming that Dylan was a poet worthy of the same close and painstaking analysis. Former British poet laureate, Andrew Motion, argued that Bob Dylan's lyrics should be studied in schools. Since 1996, academics have lobbied the Swedish Academy to award Dylan the Nobel Prize in Literature.

Dylan's voice was, in some ways, as startling as his lyrics. New York Times critic Robert Shelton described Dylan's early vocal style as "a rusty voice suggesting Guthrie's old performances, etched in gravel like Dave Van Ronk's." David Bowie, in his tribute, "Song for Bob Dylan", described Dylan's singing as "a voice like sand and glue". Dylan's voice continued to develop as he began to work with rock'n'roll backing bands; critic Michael Gray described the sound of Dylan's vocal on his hit single, "Like a Rolling Stone", as "at once young and jeeringly cynical". As Dylan's voice aged during the 1980s, for some critics, it became more expressive. Christophe Lebold writes in the journal ''Oral Tradition'', "Dylan's more recent broken voice enables him to present a world view at the sonic surface of the songs—this voice carries us across the landscape of a broken, fallen world. The anatomy of a broken world in "Everything is Broken" (on the album ''Oh Mercy'') is but an example of how the thematic concern with all things broken is grounded in a concrete sonic reality."

Dylan's influence has been felt in several musical genres. As Edna Gundersen stated in ''USA Today'': "Dylan's musical DNA has informed nearly every simple twist of pop since 1962." Many musicians have testified to Dylan's influence, such as Joe Strummer, who praised Dylan as having "laid down the template for lyric, tune, seriousness, spirituality, depth of rock music." Other major musicians to have acknowledged Dylan's importance include John Lennon, Paul McCartney, Pete Townshend, Neil Young, Bruce Springsteen, David Bowie, Bryan Ferry, Nick Cave, Patti Smith, Syd Barrett, Cat Stevens,Joni Mitchell, and Tom Waits. More directly, both The Byrds and The Band, two 1960s contemporary groups with some measure of influence on popular music themselves, largely owed their initial success to Dylan: the Byrds with their hit of "Mr. Tambourine Man" and subsequent album; and the Band for their association with him on tour in 1966, on retreat in Woodstock, and on their debut album featuring three previously unreleased Dylan songs.

There have been dissenters. Because Dylan was widely credited with imbuing pop culture with a new seriousness, the critic Nik Cohn objected: "I can't take the vision of Dylan as seer, as teenage messiah, as everything else he's been worshipped as. The way I see him, he's a minor talent with a major gift for self-hype." Similarly, Australian critic Jack Marx credited Dylan with changing the persona of the rock star: "What cannot be disputed is that Dylan invented the arrogant, faux-cerebral posturing that has been the dominant style in rock since, with everyone from Mick Jagger to Eminem educating themselves from the Dylan handbook." Joni Mitchell described Dylan as a "plagiarist" and his voice as "fake" in a 2010 interview in the ''Los Angeles Times'', in response to a suggestion that she and Dylan were similar since they had both changed their birthnames. Mitchell's comment led to discussions of Dylan's use of other people's material, both supporting and criticizing Dylan.

If Bob Dylan's legacy in the 1960s was seen as bringing intellectual ambition to popular music, now that he has reached the age of 70, he has been described as a figure who has greatly expanded the folk culture from which he initially emerged. As J. Hoberman wrote in ''The Village Voice'', "Elvis might never have been born, but someone else would surely have brought the world rock 'n' roll. No such logic accounts for Bob Dylan. No iron law of history demanded that a would-be Elvis from Hibbing, Minnesota, would swerve through the Greenwich Village folk revival to become the world's first and greatest rock 'n' roll beatnik bard and then—having achieved fame and adoration beyond reckoning—vanish into a folk tradition of his own making."

Footnotes

References

External links

BobDylan.com – Official web site, including lyrics and touring schedule

Expecting Rain – Dylan news and events, updated daily

BobLinks – Comprehensive log of concerts and set lists

Bjorner's Still on the Road – Information on recording sessions and performances

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